Femi Osofisan的《Esu与流浪吟游诗人》中声音的语用标记

A. Adeniji, S. Olagunju
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引用次数: 1

摘要

语音的语用标记在基于文化的语篇中对话语的建构起着重要的作用。它们揭示了声音的主人,从而使我们能够确定文学文本中作者的关注点。然而,尽管它们对声音和作者视角的确定具有重要意义,但在语言学研究中却很少受到关注。因此,本研究运用文学语用学理论,考察了如何通过语音的语用标记,如参考、指示、代词、时态和相关的作者视角,来检测语音所有权。本文选择了奥索维桑的《伊苏与流浪吟游诗人》(EATVM),因为它的数据丰富。研究表明,Osofisan在《EATVM》中,通过他和他的人物的声音、声音混杂、声音垃圾、声音崩溃等,运用了指称、指示、人称代词、时态等语态的语用标记,涉及到社会权力、道德和宗教偏差、宗教信仰等问题。本研究的结论是,语音的语用标记的研究提高了对文学文本中语音所有权的理解,有助于确定后殖民时期非洲魔幻文本宇宙中的作者视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Pragmatic Markers of Voices in Femi Osofisan's Esu and the Vagabond Minstrels
Pragmatic markers of voices are significant given the roles they play in the building and construction of utterances in culture-based texts. They reveal owners of voices thus enabling us to determine authorial preoccupations in literary texts. However, as significant as they are to the determination of voices and authorial perspectives, they have received little attention in linguistic scholarship. Employing the literary pragmatic theory therefore, this study sets out to examine how to detect voice ownership as indicated by pragmatic markers of voices such as references, deixis, pronouns, tenses and related authorial perspectives in Osofisan's Esu and the Vagabond Minstrels (EATVM), so selected, given that it is rich in data. The study reveals that Osofisan employs the pragmatic markers of voices such as references, deixis, personal pronouns, tenses and so on through his and his characters' voices, voice mash, voice trash, and voice crash, relative to issues of social power, moral and religious deviances, and religious beliefs, in EATVM. The study concludes that a study of pragmatic markers of voices enhances an understanding of voice ownership in literary texts towards determining authorial perspectives in post-colonial African conjured textual universes.
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