迈克·李的《彼得路》中的阶级政治和电影制作人的技巧

IF 0.3 Q4 INDUSTRIAL RELATIONS & LABOR
Richard F. Wells
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引用次数: 0

摘要

摘要:本文对导演迈克·利的《彼得卢》进行了细致的考察,该片讲述了滑铁卢战役至1819年彼得卢大屠杀期间英国为议会改革而进行的斗争。这篇文章认为,彼得卢之所以成功,是因为李对电影制作工艺的处理方法。如果我们从彼得路的角度来看,也就是说,理解其中独特的创造性劳动形式,我们就能更好地理解我们可以从中学到什么,关于阶级政治,关于权力,关于民主运动的复杂而艰难的形成,比如1819年将成千上万的人带到圣彼得广场的民主运动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Class Politics and the Filmmaker's Craft in Mike Leigh's Peterloo
Abstract:This essay offers a close examination of director Mike Leigh's Peterloo, which recounts the struggle for parliamentary reform in Great Britain between the battle of Waterloo and the Peterloo massacre of 1819. Peterloo succeeds, the essay contends, because of Leigh's approach to the craft of filmmaking. If we take Peterloo on its own terms, that is, with an understanding of the unique form of creative labor that went into it, we get a better sense of what we can learn from it, about class politics, about power, about the complicated and difficult formation of democratic movements such as that which brought those many thousands to St. Peter's Field in 1819.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
69
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