{"title":"音乐模式","authors":"D. Conklin","doi":"10.1080/17459737.2021.1947404","DOIUrl":null,"url":null,"abstract":"Pattern in music, referring to the discovery, representation, selection, and interpretation of repeated structures within single pieces (intra-opus) or corpora (inter-opus), is a central part of music analysis, musical style and genre, improvisation, music perception, and composition. This special issue of the Journal of Mathematics and Music presents a diverse selection of papers on the topic of pattern in music from computational and mathematical perspectives. The following overview will introduce the papers considering three facets: representation, discovery, and evaluation and interpretation.","PeriodicalId":50138,"journal":{"name":"Journal of Mathematics and Music","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2021-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pattern in music\",\"authors\":\"D. Conklin\",\"doi\":\"10.1080/17459737.2021.1947404\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Pattern in music, referring to the discovery, representation, selection, and interpretation of repeated structures within single pieces (intra-opus) or corpora (inter-opus), is a central part of music analysis, musical style and genre, improvisation, music perception, and composition. This special issue of the Journal of Mathematics and Music presents a diverse selection of papers on the topic of pattern in music from computational and mathematical perspectives. The following overview will introduce the papers considering three facets: representation, discovery, and evaluation and interpretation.\",\"PeriodicalId\":50138,\"journal\":{\"name\":\"Journal of Mathematics and Music\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2021-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Mathematics and Music\",\"FirstCategoryId\":\"100\",\"ListUrlMain\":\"https://doi.org/10.1080/17459737.2021.1947404\",\"RegionNum\":2,\"RegionCategory\":\"数学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Mathematics and Music","FirstCategoryId":"100","ListUrlMain":"https://doi.org/10.1080/17459737.2021.1947404","RegionNum":2,"RegionCategory":"数学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"MATHEMATICS, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Pattern in music, referring to the discovery, representation, selection, and interpretation of repeated structures within single pieces (intra-opus) or corpora (inter-opus), is a central part of music analysis, musical style and genre, improvisation, music perception, and composition. This special issue of the Journal of Mathematics and Music presents a diverse selection of papers on the topic of pattern in music from computational and mathematical perspectives. The following overview will introduce the papers considering three facets: representation, discovery, and evaluation and interpretation.
期刊介绍:
Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.