在异议与共识之间,抵抗与反抵抗:作为一个共同项目的设计实践——存在与成为多种可能性的过程

Q1 Arts and Humanities
Chiara Del Gaudio, Samara Tanaka, Douglas Onzi Pastori
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引用次数: 2

摘要

本文对制度化、主导设计实践的伦理和政治限制以及重新思考其运作方式的必要性的讨论做出了贡献。它指出,制度化的设计过程作为一种权力的支配,不仅捕获和殖民生活形式,而且还通过外生的规范模型塑造领土,身体和语言。在思考设计在孕育当前危机中所扮演的角色时,这种讨论至关重要。本文是对设计实践的可能性的探索,这种可能性既不是由主权者的设计设计师,也不是由从属的设计用户制度化的,而是根据动态构成的,在动态中,设计作为一个共同的项目——存在和成为的创造性可能性的过程而出现。通过对里约热内卢贫民窟社区设计经验的分析,确定了非制度化设计实践的关键方面。本文展示了这种设计经验是如何建立在一种设计方法的基础上的,这种设计方法通过话语结构,动态地支持不同意见和共识,并通过抵抗和反抵抗之间的相互作用获得信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between Dissent and Consensus, Resistance and Counter-Resistance: Design Practice as a Common Project-Process for Plural Possibilities of Being and Becoming
This paper is a contribution to the discussion on the ethical and political limitations of institutionalised, dominant design practices and on the need to rethink the ways in which they operate. It points out that institutionalised design processes act as a dispositive of power that not only capture and colonise forms of life, but that also shape territories, bodies and languages through normative models that are exogenous to them. This discussion is crucial when thinking about the role that design has played in nurturing current crises. This paper is an inquiry into the possibility of design practice that is not institutionalised either by sovereign designing designers or by subordinated designed users, but that constitutes itself according to dynamics where design emerges as a common project-process of creative possibilities of being and becoming. Crucial aspects for a non-institutionalised design practice are identified through the analysis of a design experience with communities in Rio de Janeiro favelas. This paper shows how this design experience is based on a design approach that, through discursive structures, dynamically supports and is informed by dissent and consensus, and by the interplay between resistance and counter-resistance.
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来源期刊
CiteScore
1.00
自引率
0.00%
发文量
8
审稿时长
30 weeks
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