{"title":"芭蕾舞剧《草原的呼唤》形象的民族性","authors":"A. Tani","doi":"10.56032/2523-4684.2022.4.4.15","DOIUrl":null,"url":null,"abstract":"The article considers the ballet \"The Call of the Steppe\" as an actual phenomenon of the national ballet. The author introduces it into the context of other ballet productions of the State Opera and Ballet Theater \"Astana Opera\", and also identifies characteristic trends in the development of ballet in Kazakhstan over the last decade of the XXI century, in particular, the drama of the \"patchwork format\".","PeriodicalId":80750,"journal":{"name":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","volume":"134 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE NATIONAL NATURE OF THE IMAGES OF THE BALLET «THE CALL OF THE STEPPE»\",\"authors\":\"A. Tani\",\"doi\":\"10.56032/2523-4684.2022.4.4.15\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article considers the ballet \\\"The Call of the Steppe\\\" as an actual phenomenon of the national ballet. The author introduces it into the context of other ballet productions of the State Opera and Ballet Theater \\\"Astana Opera\\\", and also identifies characteristic trends in the development of ballet in Kazakhstan over the last decade of the XXI century, in particular, the drama of the \\\"patchwork format\\\".\",\"PeriodicalId\":80750,\"journal\":{\"name\":\"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences\",\"volume\":\"134 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56032/2523-4684.2022.4.4.15\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin - American Academy of Arts and Sciences. American Academy of Arts and Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56032/2523-4684.2022.4.4.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
THE NATIONAL NATURE OF THE IMAGES OF THE BALLET «THE CALL OF THE STEPPE»
The article considers the ballet "The Call of the Steppe" as an actual phenomenon of the national ballet. The author introduces it into the context of other ballet productions of the State Opera and Ballet Theater "Astana Opera", and also identifies characteristic trends in the development of ballet in Kazakhstan over the last decade of the XXI century, in particular, the drama of the "patchwork format".