在高等教育中为21世纪音乐精神开辟空间。

Leah Kardos
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引用次数: 2

摘要

受五日天集团的邀请,就科技及其对音乐教育的影响对“理想行动VIII”做出回应,以下是我在英国教授本科音乐和音乐技术学位的一些观察和思考。我提出后数字音乐美学反映了当代音乐文化中新兴的感性,这为音乐教育者重新配置和加强他们的教学方法提供了机会。通过认识到新的和各种形式的音乐的合法性,并承认我们的学科领域在实践和必要的素养范围内不断增长的方式,可以制定策略来支持音乐学生的体验,这是有凝聚力的,包容的,混合的,有意义的和有用的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making Room for 21st Century Musicianship in Higher Education.
Having been asked to respond to Action Ideal VIII by the Mayday Group, concerning technology and its impacts on music education, what follows are some observations and reflections from my experiences teaching undergraduate music and music technology degrees in the UK. I put forward the idea that Post-Digital music aesthetics reflect an emergent sensibility in contemporary music cultures, and this represents an opportunity for music educators to reconfigure and strengthen their pedagogical approaches. By recognizing the legitimacy of new and varied forms of musicianship, and acknowledging the ways in which our subject area continues to grow in its range of practices and necessary literacies, strategies can be developed to support a music student experience that is cohesive, inclusive, hybridized, meaningful and useful.
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