阿马尔菲塔诺或风的无限玫瑰:罗伯托bolano的真实警察的痛苦中的想象国家

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Samir Said Soto
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引用次数: 0

摘要

本研究试图通过小说《政治上的犯罪破坏》(2011)表明,罗伯托·波拉诺通过其主人公奥斯卡·阿马尔菲塔诺的形象,构建了一个关于全球地理符号框架中裂缝的寓言。从这个不断穿越其他领土的人物身上,作者清楚地展示了一个主体的流散状况,这个主体代表了跨越西方地图逻辑所建立的边界的个人冲突,从而构成了对国家认同本身结构的侵犯。在这种方法中,Amalfitano作为主体的形象解构了以欧洲为中心的风玫瑰概念,并允许挪用这一概念来产生一个几乎“archimboldiano”的游戏:无限风玫瑰的起源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Amalfitano o la rosa ilimitada de los vientos: la nación imaginaria en Los sinsabores del verdadero policía, de Roberto Bolaño
The present study attempts to show that through the novel Los sinsabores del verdadero policia (2011), Roberto Bolano constructs an allegory of the cracks that are caused in the symbolic frame of global geography through the figure of its protagonist, Oscar Amalfitano. From this character in constant transit through other territories, the author shows clearly the diasporic situation of a subject that represents the conflict of individuals who cross borders established in the logic of the map drawn by the West, thus constituting a violation of the configuration of national identity itself. In this approach, the figure of Amalfitano as the subject that deconstructs the Eurocentric idea of wind rose and allows the appropriation of this notion to generate an almost "archimboldiano" game: the origin of the the unlimited wind rose .
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来源期刊
Alpha-Revista de Artes Letras y Filosofia
Alpha-Revista de Artes Letras y Filosofia HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
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0.00%
发文量
14
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