色相讲演是由因德拉·特朗戈诺(INDRA trango)所描述的粥盘:批判性话语分析

Nelda Sari Siregar, Else Liliani
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引用次数: 0

摘要

该研究的目的是描述文本的维度,话语的实践,社会文化实践,以及在粥盘上想象的短篇故事中的意识形态形成。所运用的理论是葛兰西霸权主义的社会学理论。本文采用的方法是一种定性方法,结合费尔克劳模型的批评语篇分析技术。研究的结果是传统市场转变为现代市场,使人们拥有消费生活方式的一种霸权形式。作者用带有贪婪和霸权特征的性别符号巧妙地表达了对当前现象的批判。两性平等表现为目前控制社会的资本主义制度。思想形态的形成形式有威权主义-资本主义和人文主义-神秘主义。霸权集团、亲霸权集团和反霸权集团之分。霸权集团是霸权发生的主要行动者(统治集团),亲霸权集团是支持霸权发生的人物,反霸权集团是反对霸权发生的人(文化崛起)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
HEGEMONI CERPEN WAJAH ITU MEMBAYANG DI PIRING BUBUR KARYA INDRA TRANGGONO: ANALISIS WACANA KRITIS
  The purpose of the study was to describe the dimensions of the text, the practice of discourse, socio-cultural practices, and the ideological formations in the short stories that face imagined on porridge plates. The theory used is the theory of sociology of Gramsci hegemony. The method used is a qualitative method with the Fairclough model of critical discourse analysis techniques. The results of the study are a form of hegemony when traditional markets turn into modern markets and make people have a consumptive lifestyle. The author expresses his criticism of the current phenomenon subtly with the symbol of genderuwo which has greed and hegemonic character. Genderuwo is represented as a capitalist system which is currently controlling society. The form of ideological formation in the form of authoritarianism-capitalism and humanistic-mysticism. There are groups of hegemony, pro-hegemony, and groups of counter-hegemony. The hegemony group is the main actor in the occurrence of hegemony (the dominant group), while the pro-hegemony group is a figure who supports the occurrence of hegemony, the counter-hegemony group consists of people who oppose the occurrence of hegemony (cultural rise).
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