虚拟特雷门:设计一种用于电影场景配乐的交互式数字乐器

Q1 Social Sciences
i-com Pub Date : 2022-04-01 DOI:10.1515/icom-2022-0007
Bela Usabaev, Anna Eschenbacher, A. Brennecke
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引用次数: 0

摘要

摘要:本文介绍了一种虚拟特雷门乐器的首个原型,用于有声电影场景的伴奏。虚拟Theremin是作为web的混合应用程序实现的。声音控制是通过捕捉用户的手势与网络摄像头和映射手势到相应的虚拟特雷门参数的音调和音量来实现的。可以选择不同的声音类型。该应用程序的基础研究是多模式数字遗产项目KOLLISIONEN的一部分,该项目旨在以数字形式向更广泛的公众开放俄罗斯电影制片人谢尔盖·爱森斯坦的私人档案。爱森斯坦是电影理论家和电影蒙太奇的先驱,他对特雷门作为电影声音设计的乐器特别感兴趣。因此,这里展示的虚拟特雷门与1929年苏联戏剧《总路线》中的一个电影场景有关,这部电影由谢尔盖·爱森斯坦(Sergej Eisenstein)执导,最初从未为其配乐。在它的第一个实现状态中,应用程序以模块化、灵活和有趣的方式将音乐交互设计与数字遗产连接起来,并使用现代网络技术来实现简单的操作和最大可能的可访问性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Virtual Theremin: Designing an Interactive Digital Music Instrument for Film Scene Scoring
Abstract This paper presents a first prototype of a virtual Theremin instrument for accompanying film scenes with sound. The virtual Theremin is implemented as a hybrid application for the web. Sound control is achieved by capturing user gestures with a webcam and mapping the gestures to the corresponding virtual Theremin parameters pitch and volume. Different sound types can be selected. The application’s underlying research is part of the multi-modal digital heritage project KOLLISIONEN which targets to open up the private archive of the Russian film maker Sergej Eisenstein to a broader public in digital form. Eisenstein, a film theorist and pioneer of film montage, was particularly intrigued by the Theremin as an instrument for film sound design. The virtual Theremin presented here is therefore linked to a film scene from the 1929 Soviet drama “The General Line” by Sergej Eisenstein which was never set to music originally. In its first implementation state, the application connects music interaction design with digital heritage in a modular, flexible and playful way and uses contemporary web technologies to enable easy operation and the greatest possible accessibility.
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来源期刊
i-com
i-com Social Sciences-Communication
CiteScore
3.80
自引率
0.00%
发文量
24
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