{"title":"从视频行动主义到数字:阿根廷纪录片的新十年","authors":"M. Wainmayer","doi":"10.20287/DOC.D25.DT04","DOIUrl":null,"url":null,"abstract":"Between 2007 and 2015, the production of documentaries in Argentina reached the greatest number and diversity in its history due to the creation of a call for low budget works in digital formats. To a large extent, these measures were the result of pressures coming from groups of documentary filmmakers that emerged in the heat of the December 2001 crisis, calling for the democratization of access to resources.","PeriodicalId":30245,"journal":{"name":"Doc OnLine Revista Digital de Cinema Documentario","volume":"2 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Do vídeo-ativismo à Vía Digital: uma nova década do documentário argentino\",\"authors\":\"M. Wainmayer\",\"doi\":\"10.20287/DOC.D25.DT04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Between 2007 and 2015, the production of documentaries in Argentina reached the greatest number and diversity in its history due to the creation of a call for low budget works in digital formats. To a large extent, these measures were the result of pressures coming from groups of documentary filmmakers that emerged in the heat of the December 2001 crisis, calling for the democratization of access to resources.\",\"PeriodicalId\":30245,\"journal\":{\"name\":\"Doc OnLine Revista Digital de Cinema Documentario\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Doc OnLine Revista Digital de Cinema Documentario\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20287/DOC.D25.DT04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Doc OnLine Revista Digital de Cinema Documentario","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20287/DOC.D25.DT04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Do vídeo-ativismo à Vía Digital: uma nova década do documentário argentino
Between 2007 and 2015, the production of documentaries in Argentina reached the greatest number and diversity in its history due to the creation of a call for low budget works in digital formats. To a large extent, these measures were the result of pressures coming from groups of documentary filmmakers that emerged in the heat of the December 2001 crisis, calling for the democratization of access to resources.
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