全球挑战下的加藏社区基地艺术生存

Samidi Samidi, Sarkawi B Husain
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引用次数: 0

摘要

这篇文章描述了应对全球挑战的传统艺术。全球化使得每个人都可以很容易地表达娱乐艺术,这对基地的传统艺术构成了严重威胁。适应和再生的缓慢使他的艺术与日常生活渐行渐远。加藏人民正在努力维护它,但最近他们遇到了许多障碍。保留下来的机制是传统艺术与祈祷死亡仪式的关系。本文的目的是解释传统艺术与死亡仪式的关系以及继承艺术的约束。本研究采用基于村庄专著、参与者观察和访谈收集和分析的定性数据。观察是在死亡祈祷仪式上的基座艺术表演中进行的。访谈对象是按比例代表社会角色的几个人,包括传统社区领袖、村政府官员、教师、青年艺术活动家、村长老和艺术家。研究发现,对习惯区域的限制只能根据习惯价值和规范来控制人们的行为,而不能强迫居民发展基座艺术。然而,艺术的传承面临着障碍,因为加藏人没有能力开展艺术家干部作为基地艺术存在的继承者和强化者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Survival of The Basing Arts of The Kajang Community in Global Challenges
This article describes traditional arts dealing with global challenges. Globalization that makes it easy for everyone to express entertainment arts is a serious threat to Basing's traditional arts. The slowness of adaptation and regeneration further distances Basing's art from everyday life. The people of Kajang are trying to maintain it, but recently they have faced many obstacles. The mechanism that is still maintained is the relation of traditional art to the ritual of prayer for death. The purpose of this paper is to explain the relationship between traditioal art and rituals for the death and the constraints to inherit the art. This research used qualitative data that collected and analyzed based on village monograph, participant observations, and interviews. The observation is carried out during the Basing art performance at the death prayer ritual. The interviews were conducted on several people which proportionally representing social roles, including traditional community leaders, village government bureaucrats, teachers, youth art activists, village elders, and artists. The research found that restriction to the customary areas is only able to control people's behavior based on customary values and norms, but is not able to force residents to develop the Basing arts. However, the inheritance of arts faces obstacles because the people of Kajang are not able to carry out cadre of artists as successors and reinforcers of the existence of Basing art.
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