壁画艺术作为社会批判的媒介:透视结构主义-建构主义

Dewa Putu Oka Prasiasa
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引用次数: 6

摘要

通过壁画艺术传递信息的现象出现在印尼人民的社会生活中,并在公共领域被用作社会批评的媒介。本研究的目的是寻找壁画艺术媒介所进行的社会批判的意义,以及壁画艺术所发生的价值观转变。基于研究目的,本研究采用布迪厄的结构主义-建构主义方法进行定性研究。通过对壁画艺术家群体的观察和深度访谈来收集数据。用来理解、批判、寻找意义和发现壁画艺术价值变化的理论是习惯说和文化生产说。本研究发现,壁画艺术媒介所传达的社会批判具有经济意义、社区大众化意义和自由意义。虽然发生了这种转变,但这项研究发现,壁画艺术最初是艺术家作为纪念性作品的表达,转变为商品化和当代作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mural Art as a Media for Social Criticism: Perspective Structuralist-Constructivism
The phenomenon of delivering messages through mural art occurs in the social life of the Indonesian people, and is used as a medium for social criticism in the public sphere. The purpose of this study is to find the meaning of social criticism that is carried out through the media of mural art and to find the shift in values that occurs in mural art. Based on the research objectives, this research is a qualitative research with a structuralist-constructivism approach from Pierre Bourdieu. Data were collected through observation and in-depth interviews with mural artists community. The theories used to understand, criticize, find meaning and find shifts in the value of mural art are the Habitus Theory and the Cultural Production Theory. This study found that social criticism conveyed through the media of mural art has an economic meaning, a meaning of community popularity, and a meaning of freedom. While the shift that occurred, this study found that mural art, which was originally an artist's expression as a monumental work, shifted to a commodified and contemporary work.
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