简爱在电影改编中的演变:从经典女性形象到独立女性

Q3 Arts and Humanities
Valeriano Durán Manso, Irene Raya-Bravo, Inmaculada Sánchez-Labella Martín
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引用次数: 0

摘要

《简爱》是被搬上大银幕最多的英文小说之一。这部小说的女作者夏洛特Brontë对维多利亚时代氛围的再现,以及主人公的宇宙,一个孤儿女孩在充满敌意的环境中作为家庭教师生存下来,这对电影界来说特别有趣。此外,简·爱鲜明的女性主义性格使她成为这一媒介的先驱人物,并决定了她的永恒。为了进一步了解由罗伯特·史蒂文森(1944)、弗兰科·泽菲雷利(1996)和加里·福永(2011)执导的电影改编版中简·爱的形象。本文根据Francesco Casetti和Federico Di Chio(2007)的理论,对人物作为一个人以及作为一个榜样进行了分析。在这些考虑的基础上,我们的目的是强调这个角色和她的女权主义男高音是如何从经典电影发展到现在的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Evolution of Jane Eyre in Film Adaptation: from Classic Female Stereotype to Independent Woman
Jane Eyre is one of the English novels that has been most adapted for the big screen. The recreation of the Victorian atmosphere by Charlotte Brontë, the female author of the novel, as well as the universe of its main character, an orphaned girl who manages to survive as a governess in a hostile environment have been specially interesting for the film world. Furthermore, Jane Eyre's markedly feminist character has converted her into a pioneering character in this medium, in addition to determining her timelessness. With the aim of gainning further insights into the representation of Jane Eyre in the film adaptations directed by Robert Stevenson (1944), Franco Zeffirelli (1996) and Cary Fukunaga (2011). This paper makes an an analysis on the character as a person and as a role model, according to the theories of Francesco Casetti and Federico Di Chio (2007). On the basis of these considerations, the intention is to highlight how the character and her feminist tenor have envolved from classic cinema up until the present day.
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来源期刊
Ars Longa
Ars Longa Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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发文量
24
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