“Quién hace tanta bulla”. Puntuaciones políticas de la voz y la escucha en la poesía latinoamericana

The question of voice and hearing in some texts and scenes in Latin American poetry from the nineteenth and, with more emphasis, the twentieth and twenty-first centuries will be addressed in this study. Certain delimitations and concomitances between the voice/logos and noise will also be analyzed. Several historical and cultural constitutions of the voice and the ear will also be focused on, from the very notion of resonance and critical hearing, as well as from the effect of punctuation upon the speech, proposing new links between orality and writing.