{"title":"从《等待戈多》到《安德烈·斯塔苏克","authors":"T. Wisniewski, Katarzyna Kręglewska","doi":"10.1163/18757405-03102006","DOIUrl":null,"url":null,"abstract":"\n Beckett’s importance for Polish culture was established by the first production of Waiting for Godot in 1957. Since then, his significance has evolved in aesthetic, social and political terms. This may be illustrated by a model that focuses on: 1) the post-war sense of frustrated expectations (Waiting for Godot); 2) the approaching fall of the Iron Curtain (Catastrophe); and 3) a contemporary search for a new geo-political identity (“neither”). Direct and indirect parallels between Beckett and Polish artists are discussed (Jerzy Kreczmar, Antoni Libera, and Andrzej Stasiuk).","PeriodicalId":53231,"journal":{"name":"Samuel Beckett Today/Aujourd''hui","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2019-10-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Waiting for Godot to Andrzej Stasiuk\",\"authors\":\"T. Wisniewski, Katarzyna Kręglewska\",\"doi\":\"10.1163/18757405-03102006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Beckett’s importance for Polish culture was established by the first production of Waiting for Godot in 1957. Since then, his significance has evolved in aesthetic, social and political terms. This may be illustrated by a model that focuses on: 1) the post-war sense of frustrated expectations (Waiting for Godot); 2) the approaching fall of the Iron Curtain (Catastrophe); and 3) a contemporary search for a new geo-political identity (“neither”). Direct and indirect parallels between Beckett and Polish artists are discussed (Jerzy Kreczmar, Antoni Libera, and Andrzej Stasiuk).\",\"PeriodicalId\":53231,\"journal\":{\"name\":\"Samuel Beckett Today/Aujourd''hui\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-10-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Samuel Beckett Today/Aujourd''hui\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18757405-03102006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Samuel Beckett Today/Aujourd''hui","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18757405-03102006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
摘要
贝克特对波兰文化的重要性是在1957年第一次制作《等待戈多》时确立的。从那时起，他在美学、社会和政治方面的重要性不断发展。这可以用一个模型来说明:1)战后期望受挫的感觉(《等待戈多》);2)铁幕即将落下(大灾难);3)当代对新的地缘政治身份的探索(“两者都不是”)。讨论了贝克特与波兰艺术家之间的直接和间接的相似之处(Jerzy Kreczmar, Antoni Libera和Andrzej Stasiuk)。
Beckett’s importance for Polish culture was established by the first production of Waiting for Godot in 1957. Since then, his significance has evolved in aesthetic, social and political terms. This may be illustrated by a model that focuses on: 1) the post-war sense of frustrated expectations (Waiting for Godot); 2) the approaching fall of the Iron Curtain (Catastrophe); and 3) a contemporary search for a new geo-political identity (“neither”). Direct and indirect parallels between Beckett and Polish artists are discussed (Jerzy Kreczmar, Antoni Libera, and Andrzej Stasiuk).
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
