将超级英雄类型政治化:《守望者》(HBO, 2019)

IF 0.2 0 FILM, RADIO, TELEVISION
Evdokia Stefanopoulou
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引用次数: 0

摘要

HBO有限电视连续剧《守望者》(2019)代表了一部政治参与的超级英雄电视节目,标志着最近在性别和种族方面使该类型更具包容性的努力发生了转变。具体来说,《守望者》将围绕种族暴力的虚构和真实事件(如1921年塔尔萨大屠杀)混合在一起,体现了超级英雄类型在解决有先见之明的政治问题和社会焦虑方面的潜力,在2020年乔治·弗洛伊德抗议活动之后,这些问题变得更加尖锐。本文探讨了《守望者》与当代社会和政治问题的深刻共鸣,不仅在表现层面,而且在剧集的制作背景下,并认为这部剧标志着超级英雄类型政治化的关键时刻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Politicizing the superhero genre: The case of Watchmen (HBO, 2019)
The HBO limited television series Watchmen (2019) represents a politically engaged superhero television show, marking a shift in recent efforts to render the genre more inclusive in terms of gender and race. Specifically, in mixing fictional and real events surrounding racial violence, such as the 1921 Tulsa massacre, Watchmen inscribes the potential of the superhero genre to tackle prescient political issues and social anxieties, that became even more poignant in the wake of the 2020 George Floyd protests. The present paper explores Watchmen’s deep resonances with contemporary social and political issues, not only at the level of representations, but also at the series’ production context, and argues that the show marks a key moment in the politicization of the superhero genre.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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