结扎和音乐意义

IF 0.2 1区 艺术学 N/A MUSIC
P. Kolb
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引用次数: 0

摘要

在量程记谱法中,某些音符的组合既可以单独记谱,也可以作为结束语捆绑在一起。是否使用绳结的选择为作曲家和抄写员提供了一个机会来编码不同类型的音乐含义。长期以来,人们一直认为结合力可以帮助显示文本的基础,学者们也提出结合力可以澄清音乐结构的各个方面,如旋律和节奏模式、措辞和发音。很难证明这些建议的广泛适用性,尤其是因为它们往往主要依赖于实际来源的证据。幸运的是,关于结扎的目的和功能的理论证据比迄今为止所认识到的要多。尽管许多证据不出意料地指向了结扎法的文本意义,但从15世纪早期到16世纪中期的大量理论表明,结扎法对于澄清测量上下文的各个方面也很重要,有时会迫使其完善和修改。这些证据使我们重新考虑关于结束语重要性的广泛假设,并超越文本底层,将其视为可能(或可能不)被表示的主要意义。利用这些见解,对乐谱的上下文分析可以为作曲家和抄写员的关注点和优先事项提供更清晰的窗口。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ligatures and Musical Meaning
In mensural notation, certain combinations of notes could be notated either individually or bound together as ligatures. The choice of whether or not to use a ligature provided an opportunity for composers and scribes to encode different types of musical meaning. It has long been accepted that ligatures could help to show text underlay, and scholars have also proposed that ligatures could clarify aspects of musical structure, such as melodic and rhythmic patterns, phrasing, and articulation. It is difficult to prove wide applicability of these proposals, not least because they tend to rely primarily on the evidence of practical sources. Fortunately, there is more theoretical evidence about the purpose and function of ligatures than has been heretofore recognized. While much of the evidence unsurprisingly points toward the textual significance of ligatures, a substantial amount of theory from the early fifteenth century to the mid-sixteenth century shows that ligatures were also important for clarifying aspects of mensural context, sometimes forcing perfection and alteration. The evidence leads us to reconsider widely held assumptions about the significance of ligatures and to look beyond text underlay as the primary meaning that may (or may not) be signified. Drawing on these insights, contextual analysis of notation can provide a clearer window into the concerns and priorities of composers and scribes.
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
8
期刊介绍: The widely-respected Journal of Musicology enters its third decade as one of few comprehensive peer-reviewed journals in the discipline, offering articles in every period, field and methodology of musicological scholarship. Its contributors range from senior scholars to new voices in the field. Its reach is international, with recent articles by authors from North America, Europe and Australia, and circulation to individuals and libraries throughout the world.
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