解构天堂:我们在“这就是天堂”中作为集体本土声音的叙述

Kristiawan Indriyanto
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引用次数: 2

摘要

本文以克里斯蒂安娜·卡哈考维拉(Kristiana Kahakauwila)的短篇小说《这就是天堂》(This is Paradise)为背景,从旅游业中工作的当地人的角度,通过本土化的叙述,解构了夏威夷作为天堂的理想化比喻。使用第一人称复数叙述作为聚焦器,呼应了夏威夷土著人在旅游业中处于边缘化地位的集体声音。艾琳·詹姆斯(Erin James)提出的纪实性观点为读者提供了必要的文本线索,以从局内人的角度构建夏威夷的心理模型。Kahakauwila运用局内人的视角,使读者能够从当地的地方经验中了解夏威夷土著的边缘化。这一观点挑战了从外人/游客的角度对夏威夷的常见描述。本研究的结论是,《这是天堂》通过第一人称复数的使用和威基基的空间化,强调了夏威夷作为天堂的既定比喻的反叙事的本地化描绘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DECONSTRUCTING PARADISE: WE NARRATION AS COLLECTIVE INDIGENOUS VOICE IN “THIS IS PARADISE”
This paper contextualizes how a short story “This is Paradise” by Kristiana Kahakauwila deconstructs the idealized trope of Hawai’i as paradise by presenting a localized narration from the perspective of the indigene working within the tourist industry. The use of first-person plural narration as the focalizer echoes the collective voice of the Hawai’ian indigene in their marginalized status within the tourist industry. An econarratological perspective as stated by Erin James provides reader with textual cues necessary to construct a mental model of Hawai’i from the insiders’ perspective. Kahakauwila’s use of insiders’ perspective enables reader to have an understanding of indigenous marginalization in Hawai’i, informed by a local experience of place. This perspective challenges the common depiction of Hawai’i as seen from the outsider/tourist point of view. The present study concludes how “This is Paradise” underlines a localized portrayal of the Hawai’i as the counter narrative toward the established trope of Hawai’i as paradise through its use of first-person plural and spatialization of Waikiki.
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