{"title":"痛苦和蠕动的感觉","authors":"Maria Margareta Österholm","doi":"10.3167/eca.2022.150104","DOIUrl":null,"url":null,"abstract":"The aim of the article is to analyse how a feminist critique is expressed in the graphic novels Det känns som hundra år [It feels like a hundred years] (1999) and Deras ryggar luktade så gott [Their backs smelled so good] (2014) by Åsa Grenvall. The theoretical framework draws from the concept of skewedness, a variation of queer theory, and theories of queer temporality. Grennvall delivers a feminist critique by exposing the norms of girlhood as unattainable and by visualising skewedness in relation to girlhood and the lifelines of the protagonists, a result of both gender norms and emotional neglect.","PeriodicalId":40846,"journal":{"name":"European Comic Art","volume":"20 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Pain and the Creeping Feeling\",\"authors\":\"Maria Margareta Österholm\",\"doi\":\"10.3167/eca.2022.150104\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The aim of the article is to analyse how a feminist critique is expressed in the graphic novels Det känns som hundra år [It feels like a hundred years] (1999) and Deras ryggar luktade så gott [Their backs smelled so good] (2014) by Åsa Grenvall. The theoretical framework draws from the concept of skewedness, a variation of queer theory, and theories of queer temporality. Grennvall delivers a feminist critique by exposing the norms of girlhood as unattainable and by visualising skewedness in relation to girlhood and the lifelines of the protagonists, a result of both gender norms and emotional neglect.\",\"PeriodicalId\":40846,\"journal\":{\"name\":\"European Comic Art\",\"volume\":\"20 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Comic Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/eca.2022.150104\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Comic Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/eca.2022.150104","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
摘要
这篇文章的目的是分析女权主义批判是如何在图形小说Det känns som hundra r[感觉像一百年](1999)和Deras ryggar luktade s gott[他们的背闻起来很好](2014)中表达的Åsa Grenvall。其理论框架来自于偏态概念、酷儿理论的变体以及酷儿时间性理论。格伦瓦尔通过揭露少女时代的规范是无法实现的,通过可视化与少女时代和主角的生命线相关的不平衡,这是性别规范和情感忽视的结果,提供了女权主义批评。
The aim of the article is to analyse how a feminist critique is expressed in the graphic novels Det känns som hundra år [It feels like a hundred years] (1999) and Deras ryggar luktade så gott [Their backs smelled so good] (2014) by Åsa Grenvall. The theoretical framework draws from the concept of skewedness, a variation of queer theory, and theories of queer temporality. Grennvall delivers a feminist critique by exposing the norms of girlhood as unattainable and by visualising skewedness in relation to girlhood and the lifelines of the protagonists, a result of both gender norms and emotional neglect.