{"title":"书评:Carol M. Richardson, Kim W. Woods和Michael W. Franklin(编),《重新思考文艺复兴艺术:原始资料选集》,","authors":"E. Drakopoulou","doi":"10.12681/HR.11562","DOIUrl":null,"url":null,"abstract":"The title of this volume refers to the course of the Open University entitled Renaissance Art Reconsidered and more particularly to its three course books, which reflect three reference fields in the modern history of art: the method and arduous work of making works of art; the centres of art production, the trade networks and the relations between artists and clients; and the means of viewing art, whether in the context of religious practice, theory or patronage, during the fifteenth and early sixteenth centuries.","PeriodicalId":40645,"journal":{"name":"Historical Review-La Revue Historique","volume":"93 1","pages":"156-159"},"PeriodicalIF":0.2000,"publicationDate":"2017-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Review of: Carol M. Richardson, Kim W. Woods and Michael W. Franklin (eds), Renaissance Art Reconsidered: An Anthology of Primar y Sources,\",\"authors\":\"E. Drakopoulou\",\"doi\":\"10.12681/HR.11562\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The title of this volume refers to the course of the Open University entitled Renaissance Art Reconsidered and more particularly to its three course books, which reflect three reference fields in the modern history of art: the method and arduous work of making works of art; the centres of art production, the trade networks and the relations between artists and clients; and the means of viewing art, whether in the context of religious practice, theory or patronage, during the fifteenth and early sixteenth centuries.\",\"PeriodicalId\":40645,\"journal\":{\"name\":\"Historical Review-La Revue Historique\",\"volume\":\"93 1\",\"pages\":\"156-159\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2017-02-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Historical Review-La Revue Historique\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12681/HR.11562\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Historical Review-La Revue Historique","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12681/HR.11562","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
Review of: Carol M. Richardson, Kim W. Woods and Michael W. Franklin (eds), Renaissance Art Reconsidered: An Anthology of Primar y Sources,
The title of this volume refers to the course of the Open University entitled Renaissance Art Reconsidered and more particularly to its three course books, which reflect three reference fields in the modern history of art: the method and arduous work of making works of art; the centres of art production, the trade networks and the relations between artists and clients; and the means of viewing art, whether in the context of religious practice, theory or patronage, during the fifteenth and early sixteenth centuries.