全息图像传输中的“恐怖谷”效应

S. Shoydin, A. Pazoev
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引用次数: 1

摘要

计算机合成图像的质量在不断提高,表示它们的文件的体积也在增加。我们注意到,从简单的示意图图像到越来越复杂的图像,他们的感知经历了不同的阶段。如果一开始,这个复杂的形象和它与一个人的真实形象的接近给人留下了良好的印象,那么就会出现恐惧和拒绝的时刻。Masahiro Mori称之为“恐怖谷”效应。从那时起,所有展示人类图像的新技术都经过了测试,以避免这种影响。在压缩和恢复复杂图像时,应特别小心处理此效果。本文展示了重建三维图像相对于“恐怖谷”的位置,这些图像是由全息图合成并通过专利RU2707582C1的通信通道进行压缩传输重建的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
«Uncanny valley» effect in holographic image transmission
The quality of computer-synthesised images is continuously improving, increasing in the volume of files representing them. It is noticed that passing from simple schematic images to increasingly complex ones, their perception goes through different stages. If initially the complication of the image and its approximation to the real image of a person makes a favourable impression, then there comes a moment of fright and rejection. Masahiro Mori called it the «uncanny valley» effect. Since then, all new technologies for presenting human images have been tested in order to avoid this effect. This effect should be treated especially carefully when compressing and then restoring complex images. This paper shows the position relative to the «uncanny valley» of the reconstructed 3D images, reconstructed by a hologram synthesised and transmitted with compression over the communication channel in accordance with patent RU2707582C1.
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