肖邦a小调前奏曲中的梦与互文性

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2022-07-03 DOI:10.1080/01411896.2022.2078205

Z. Granat

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引用次数: 0

摘要

本文主要探讨肖邦《a小调序曲》Op. 28 No. 2与舒伯特《抒情曲》之间的独特关系。从前奏曲的主题分析出发，我考察了巴黎沙龙的作用以及舒伯特音乐对肖邦鲜为人知的影响。然后，我将呈现舒伯特的两首歌曲，我将声称这两首歌曲是迄今为止未被注意到的舒伯特序曲的模型，并展示肖邦如何使用“剪切和粘贴”技术来创造一个梦的表现。这种分析性阅读是由叙事性、表演性和浪漫主义内在性的概念所支持的。

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Dreams and Intertextuality in Chopin’s A-Minor Prelude

ABSTRACT This article focuses on a unique relationship that Chopin’s Prelude in A Minor, Op. 28, No. 2 shares with the Lieder of Franz Schubert. Proceeding from the topical analysis of the Prelude, I examine the role of the Parisian salon and the little-known influence of Schubert’s music on Chopin. I then present two songs by Schubert that, I will claim, function as hitherto unnoticed models for his prelude, and demonstrate how Chopin used the “cut and paste” technique to create a representation of a dream. This analytical reading is supported with concepts borrowed from narrativity, performativity, and Romantic interiority.

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来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.