{"title":"J. F Willumsen og Tyskland omkring århundredskiftet","authors":"V. Petersen","doi":"10.1080/00233609408604364","DOIUrl":null,"url":null,"abstract":"Summary During the years 1903–05. when Willumsen was once again living in Paris, he was contacted by the German art critic and writer, Julius Meier‐Graefe. The background for this contact was Willumsens's numerous exhibitions in Paris and Germany around the turn of the century. Meier‐Graefe needed information about Willumsens's art for his book Entwicklungsgeschichte der modernen Kunst which appeared in 1904. Meier‐Graefe was very critical of Willumsen's art. He considered that Willumsen's strength lay in ceramics. However, as for Willumsen's experiments with movement and geometrical structures, Meier‐Graefe compared his painting with that of the Swiss painter, Ferdinand Hodler, and this was certainly not meant as a compliment. On the contrary, to Meier‐Graefe this implied a lack of artistic ambition. To Meier‐Graefe it was modern French art which had made the necessary break with fossilized art, which to him was synonymous with German art. Nevertheless, this first contact between Willumsen and Meier‐Grae...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"61 1","pages":"212-220"},"PeriodicalIF":0.2000,"publicationDate":"1994-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"KONSTHISTORISK TIDSKRIFT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609408604364","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
从1903年到1905年。当Willumsen再次住在巴黎时,德国艺术评论家和作家Julius Meier‐Graefe联系了他。这次接触的背景是世纪之交,威廉森斯在巴黎和德国举办的众多展览。Meier - Graefe在他1904年出版的《现代艺术》(Entwicklungsgeschichte der modern Kunst)一书中需要有关威廉森斯艺术的信息。Meier‐Graefe对Willumsen的艺术非常挑剔。他认为威鲁姆森的优势在于陶瓷。然而,对于Willumsen对运动和几何结构的实验,Meier‐Graefe将他的画与瑞士画家Ferdinand Hodler的画进行了比较,这当然不是恭维。相反,对于Meier - Graefe来说,这意味着缺乏艺术野心。对于Meier - Graefe来说,是现代法国艺术与化石艺术进行了必要的决裂,对他来说,化石艺术是德国艺术的代名词。然而,Willumsen和Meier - Grae之间的第一次接触……
J. F Willumsen og Tyskland omkring århundredskiftet
Summary During the years 1903–05. when Willumsen was once again living in Paris, he was contacted by the German art critic and writer, Julius Meier‐Graefe. The background for this contact was Willumsens's numerous exhibitions in Paris and Germany around the turn of the century. Meier‐Graefe needed information about Willumsens's art for his book Entwicklungsgeschichte der modernen Kunst which appeared in 1904. Meier‐Graefe was very critical of Willumsen's art. He considered that Willumsen's strength lay in ceramics. However, as for Willumsen's experiments with movement and geometrical structures, Meier‐Graefe compared his painting with that of the Swiss painter, Ferdinand Hodler, and this was certainly not meant as a compliment. On the contrary, to Meier‐Graefe this implied a lack of artistic ambition. To Meier‐Graefe it was modern French art which had made the necessary break with fossilized art, which to him was synonymous with German art. Nevertheless, this first contact between Willumsen and Meier‐Grae...
期刊介绍:
Konsthistorisk tidskrift/Journal of Art History includes investigations on art, architecture, and visual culture. We welcome articles on works, creators, and specific themes, as well as on theory and historiography. Accepted articles can be thorough explorations of a topic in accordance with a standard academic genre. We also welcome texts in a shorter, less finished format, functioning as openings to discussions.