{"title":"Selbstpräsenz亲口说(András Ferenc Ková面试实习生:öninterjú)","authors":"Zoltán Kulcsár-Szabó","doi":"10.7311/acta.57.2021.08","DOIUrl":null,"url":null,"abstract":"This paper investigates an early poem of a contemporary Hungarian (Transylvanian) poet András Kovács Ferenc. The poem outlines a poetic framework for the gesture of self-address, turned into a situation where the lyrical voice is interrupted by recording technology. The reading offered here tries to connect the lyrical proposition with the philosophical problem of self-presence. It further discusses political references in the poem that relate to the revolutionary events that took place in Romania in 1989.","PeriodicalId":32174,"journal":{"name":"Acta Universitatis Carolinae Philologica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Selbstpräsenz auf Tonband (András Ferenc Kovács: Öninterjú)\",\"authors\":\"Zoltán Kulcsár-Szabó\",\"doi\":\"10.7311/acta.57.2021.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper investigates an early poem of a contemporary Hungarian (Transylvanian) poet András Kovács Ferenc. The poem outlines a poetic framework for the gesture of self-address, turned into a situation where the lyrical voice is interrupted by recording technology. The reading offered here tries to connect the lyrical proposition with the philosophical problem of self-presence. It further discusses political references in the poem that relate to the revolutionary events that took place in Romania in 1989.\",\"PeriodicalId\":32174,\"journal\":{\"name\":\"Acta Universitatis Carolinae Philologica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Universitatis Carolinae Philologica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7311/acta.57.2021.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Carolinae Philologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7311/acta.57.2021.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文研究了当代匈牙利(特兰西瓦尼亚)诗人András Kovács Ferenc的一首早期诗歌。这首诗勾勒出了自我称呼的诗意框架，变成了一种抒情的声音被录音技术打断的情况。这里提供的阅读试图将抒情命题与自我存在的哲学问题联系起来。它进一步讨论了诗歌中与1989年发生在罗马尼亚的革命事件有关的政治参考。
Selbstpräsenz auf Tonband (András Ferenc Kovács: Öninterjú)
This paper investigates an early poem of a contemporary Hungarian (Transylvanian) poet András Kovács Ferenc. The poem outlines a poetic framework for the gesture of self-address, turned into a situation where the lyrical voice is interrupted by recording technology. The reading offered here tries to connect the lyrical proposition with the philosophical problem of self-presence. It further discusses political references in the poem that relate to the revolutionary events that took place in Romania in 1989.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
