“每当科技太多的时候”:对唐·德里罗的《沉默》(Scribner, 2020)的评论

IF 0.2 0 LITERARY THEORY & CRITICISM
M. Tardi
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引用次数: 0

摘要

在2019冠状病毒病(COVID-19)大流行和其他各种社会动荡的全球灾难中,唐·德里罗出版了他的第十七部小说《沉默》,从许多方面来看,这本书可以被视为一种结尾。小说家蕾切尔·库什纳(Rachel Kushner)在这本书的封面宣传中评论道,“《沉默》似乎吸收了德里罗的整个作品,并将其磨成石头或水晶”,这本书当然提炼了德里罗之前几本书中普遍存在的许多问题:技术及其全球互联的内在危险(《玩家》(Players)、《大都会》(cosmopolitan));屏幕的强迫性诱惑(《跑狗》、《天秤座》、《点欧米茄》、《零K》);意识塑造公共体验(《白噪音》、《毛II》、《堕落的人》);语言是一种近乎神秘的,难以理解的社会历史冥想(拉特纳的星星,名字),体育是一个决定性的文化时刻(End Zone,黑社会)。在不同程度上,所有这些问题都在《沉默》的叙述中发挥着作用。这本书也可以被视为后黑社会三本中篇小说的第三部,从《身体艺术家》开始,接着是《欧米茄点》,现在是《沉默》,每一本书都是对悲伤的肉体的反思或延伸思考(《身体艺术家》),当“俳句战争”的概念与家庭损失(《欧米茄点》)相碰撞时,当人们被一场刚刚开始形成的全球性事件的内在性所包围时(《沉默》)。就后者而言,结果是一部支离破碎的中篇小说,发生在银幕外或画面外,因为叙事的动力更多地是由未说或未描述的省略所推动的,借用美国前国防部长唐纳德·拉姆斯菲尔德(Donald Rumsfeld)著名备忘录中的“未知已知”,而不是清晰描绘的情节点。这部小说的情节虽然可能很小,但却围绕着一场看似全球性的事件展开,这场事件似乎使所有的技术都瘫痪了——还有2021年第11期《文字重要》https://doi.org/10.18778/2083-2931.11.28
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Whenever there’s too much technology”: A Review of Don DeLillo’s The Silence (Scribner, 2020)
In a year punctuated by the global catastrophe of the COVID-19 pandemic and various other social upheavals, Don DeLillo published his seventeenth novel, The Silence, which––in many respects—can be read as a kind of coda. Novelist Rachel Kushner observes on the jacket blurb that “The Silence seems to absorb DeLillo’s entire body of work and sand it into stone or crystal,” and the book certainly distills many of the prevailing concerns in DeLillo’s previous books: technology and the inherent dangers in its global interconnectedness (Players, Cosmopolis); the compulsive allure of the screen (Running Dog, Libra, Point Omega, Zero K); consciousnessshaping communal experiences (White Noise, Mao II, Falling Man); language as a near-mystical, impenetrable socio-historical meditation (Ratner’s Star, The Names), and sports as a defining cultural moment (End Zone, Underworld). To varying degrees, all of these issues are at play within the narrative of The Silence. The book could also be seen as the third movement of a postUnderworld trio of novellas starting with The Body Artist, followed by Point Omega, and now The Silence, with each book serving as a reflection or extended meditation on the corporeality of grief (The Body Artist), when the concept of a “haiku war” collides with familial loss (Point Omega), and when people are enveloped in the immanence of a global event just beginning to take shape (The Silence). In the case of the latter, the result is a novella of fractures, what occurs off-screen or out of the frame, as the narrative momentum is propelled more by the elisions of the unsaid or undescribed, the “unknown known,” to borrow from former US Secretary of Defense Donald Rumsfeld’s (in)famous memo, than by clearly delineated plot points. The action of the novel, minimal though it might be, centers on a seemingly global event, which appears to disable all technology––and Text Matters, Number 11, 2021 https://doi.org/10.18778/2083-2931.11.28
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
23 weeks
期刊介绍: Text Matters: A Journal of Literature, Theory and Culture, based at the University of Łódź, is an international and interdisciplinary journal, which seeks to engage in contemporary debates in the humanities by inviting contributions from literary and cultural studies intersecting with literary theory, gender studies, history, philosophy, and religion. The journal focuses on textual realities, but contributions related to art, music, film and media studies addressing the text are also invited. Submissions in English should relate to the key issues delineated in calls for articles which will be placed on the website in advance. The journal also features reviews of recently published books, and interviews with writers and scholars eminent in the areas addressed in Text Matters. Responses to the articles are more than welcome so as to make the journal a forum of lively academic debate. Though Text Matters derives its identity from a particular region, central Poland in its geographic position between western and eastern Europe, its intercontinental advisory board of associate editors and internationally renowned scholars makes it possible to connect diverse interpretative perspectives stemming from culturally specific locations. Text Matters: A Journal of Literature, Theory and Culture is prepared by academics from the Institute of English Studies with considerable assistance from the Institute of Polish Studies and German Philology at the University of Łódź. The journal is printed by Łódź University Press with financial support from the Head of the Institute of English Studies. It is distributed electronically by Sciendo. Its digital version published by Sciendo is the version of record. Contributions to Text Matters are peer reviewed (double-blind review).
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