罗切斯特的三胞胎:自由主义的后代还是理性的后代?

IF 0.2 3区 文学 Q2 Arts and Humanities
Catherine Addison
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引用次数: 0

摘要

摘要:韵文通过根据语言的能力限制语言的选择,降低了对话语的理性控制程度。减少的次数随着重复次数的增加而增加。这可能就是为什么在亚历山大·蒲柏(Alexander Pope)时代,占主导地位的英雄对联的三联体变体不受欢迎的原因。然而,在复辟早期,约翰·德莱顿和约翰·威尔莫特,第二任罗切斯特伯爵,在他们的对联诗中相当频繁地使用三联体诗。这篇文章研究了罗切斯特严格控制的十韵诗中的三连音,它不仅记录了高潮和过度,而且还记录了一种放松的控制,承认了愤怒、愤怒和非理性的潜在含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rochester's Triplets: Offspring of Libertinism or Reason?
Abstract:Rhyme in verse, by limiting verbal choices according to what a language can provide, reduces the degree of rational control over discourse. The reduction increases with the number of repetitions. This is probably why, in the age of Alexander Pope, triplet variants of the dominant heroic couplet were frowned upon. However, in the earlier Restoration period, John Dryden and John Wilmot, second Earl of Rochester, used triplets fairly frequently in their couplet poems. This article examines the triplet in Rochester's tightly controlled decasyllabic verse, where it registers not only climax and excess, but also a loosening of control that admits undertones of rage, outrage, and irrationality.
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来源期刊
STUDIES IN ENGLISH LITERATURE 1500-1900
STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-
CiteScore
0.40
自引率
0.00%
发文量
8
期刊介绍: SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.
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