{"title":"智利十月起义:从“现在我们找到了彼此,我们不会放手”到“不要用我的钱!”或对他人的广泛性恐惧","authors":"Jaime Donoso Espinosa","doi":"10.1215/00382876-10779433","DOIUrl":null,"url":null,"abstract":"This text seeks to describe the process of a form of relationality of the images that, at least in their glimmer, are seen in the immanence of the October 2019 revolt in Chile, which is expressed as an affective response to the promise opened by the revolt, in contrast to separation and distrust, which interrupts friendship. This reverse is expressed as a threat that interrupts the time to come of the revolt; it is also an interruption in the temporality of the images, which are now expressed in a more urgent and oppressive way, and that, in their absolute presence, flood any type of common destiny.","PeriodicalId":21946,"journal":{"name":"South Atlantic Quarterly","volume":"102 1","pages":""},"PeriodicalIF":2.1000,"publicationDate":"2023-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The October Revolt in Chile: From “Now That We Have Found Each Other We Won't Let Go” to “Not with My Money!,” or Generalized Fear of the Other\",\"authors\":\"Jaime Donoso Espinosa\",\"doi\":\"10.1215/00382876-10779433\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This text seeks to describe the process of a form of relationality of the images that, at least in their glimmer, are seen in the immanence of the October 2019 revolt in Chile, which is expressed as an affective response to the promise opened by the revolt, in contrast to separation and distrust, which interrupts friendship. This reverse is expressed as a threat that interrupts the time to come of the revolt; it is also an interruption in the temporality of the images, which are now expressed in a more urgent and oppressive way, and that, in their absolute presence, flood any type of common destiny.\",\"PeriodicalId\":21946,\"journal\":{\"name\":\"South Atlantic Quarterly\",\"volume\":\"102 1\",\"pages\":\"\"},\"PeriodicalIF\":2.1000,\"publicationDate\":\"2023-07-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South Atlantic Quarterly\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/00382876-10779433\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Atlantic Quarterly","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/00382876-10779433","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
The October Revolt in Chile: From “Now That We Have Found Each Other We Won't Let Go” to “Not with My Money!,” or Generalized Fear of the Other
This text seeks to describe the process of a form of relationality of the images that, at least in their glimmer, are seen in the immanence of the October 2019 revolt in Chile, which is expressed as an affective response to the promise opened by the revolt, in contrast to separation and distrust, which interrupts friendship. This reverse is expressed as a threat that interrupts the time to come of the revolt; it is also an interruption in the temporality of the images, which are now expressed in a more urgent and oppressive way, and that, in their absolute presence, flood any type of common destiny.
期刊介绍:
Individual subscribers and institutions with electronic access can view issues of the South Atlantic Quarterly online. If you have not signed up, review the first-time access instructions. Founded amid controversy in 1901, the South Atlantic Quarterly continues to cover the beat, center and fringe, with bold analyses of the current scene—national, cultural, intellectual—worldwide. Now published exclusively in special issues, this vanguard centenarian journal is tackling embattled states, evaluating postmodernity"s influential writers and intellectuals, and examining a wide range of cultural phenomena.