情节结构的人物中介:走向一种具体化的叙事模式

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
Carmen Tu, Steven Brown
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引用次数: 4

摘要

自亚里士多德时代以来,叙事学的经典观点是,在定义故事的本质时,情节结构优先于人物。根据这一观点,情节是一个抽象的结构,外部的主角,主角的行动是由情节的主题目标决定的。当前的分析要求在创造故事时改变这些元素的优先顺序。我们提出了一个人物不仅驱动情节,而且体现情节的具身情节模型。根据这一模型,情节的戏剧性弧线可归因于主人公头脑中发生的心理过程。因此,情节结构与故事世界中主角的心理和解决问题的经历是同构的。我们将这个模型应用到许多童话故事中,以证明这些故事的戏剧性弧线是如何用主人公的经验来解释的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Character mediation of plot structure: Toward an embodied model of narrative
Abstract The classic view of narrative since the time of Aristotle is that plot structure is prioritized over characters in defining the nature of stories. According to this view, plot is an abstract structure external to the protagonist, and the protagonist’s actions are determined by the thematic goals of the plot. The current analysis calls for a reversal in the prioritization of these elements in creating a story. We present an Embodied Plot model in which character not only drives plot, but embodies plot as well. According to this model, the dramatic arc of plots is attributable to psychological processes occurring in the protagonist’s mind. Plot structure is thus isomorphic with the psychological and problem-solving experience of the protagonist inside the storyworld. We apply this model to a number of fairy tales to demonstrate how the dramatic arc of these stories can be explained in each case by the protagonist’s experientiality.
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