现代电视频道节目内容中的声音导演

Iryna Gavran, Yelyzaveta Nikolaichenko
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引用次数: 0

摘要

本文的目的是确定声音导演在创建全球信息空间中的地位,以确保人们的有效互动,他们对全球数据资源的访问以及使用电视节目内容满足信息产品和服务的需求。研究方法包括应用特殊方法:对研究课题的主要出版物进行来源分析(找出问题的科学发展水平);历史和文化,这导致了一个整体的方法来分析乌克兰音响工程的历史发展过程。本文还运用了一般科学的方法:分析和描述的方法,对声音导演职业的本质进行了一般的刻画和认识。本文的科学新颖之处在于,首次突出了声音导演在现代电视频道节目制作中的工作过程。描述了声音工程的形成过程和声音导演在乌克兰文化空间中的活动。在对音源基础研究的基础上,概述了乌克兰音源工程专业产生的趋势和原因,并阐明了乌克兰音源工程形成的美学基础。本文探讨了当代文化中技术与艺术的互动关系,强调了艺术文化中技术、技术与艺术的相互联系,并指出了科技进步所激发的几种艺术趋势。考虑了现代声音导演的资格要求。重新思考声音导演在媒体中的创作活动的问题得到了进一步的发展。结论。对源库的审查证明,电视声音导演的工作有许多困难,涉及工作室的技术支持,拍摄条件和创作过程。但也由于电视作为一种传播方式和信息来源的重要性,电视声音设计具有发展和完善的前景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sound Director in Modern Program Content of TV Channels
The purpose of the article is to determine the place of the sound director in the creation of a global information space that would ensure effective interaction of people, their access to global data resources and satisfaction of needs for information products and services using the content of television programs. The research methodology consists in the application of special methods: source analysis of the main publications on the topic (to find out the level of scientific development of the problem); historical and cultural, which led to a holistic approach to the analysis of the process of the historical development of sound engineering in Ukraine. The work also used general scientific methods: methods of analysis and description, for the general characterization and understanding of the essence of the sound director’s profession. The scientific novelty of the work lies in the fact that for the first time, the process of sound director’s work in modern TV channel programming is highlighted. The process of formation of sound engineering and the sound director’s activity in the Ukrainian cultural space is described. Based on the study of the source base, the author outlines the trends and reasons for the emergence of the sound engineering profession and clarifies the aesthetic foundations of the formation of sound engineering in Ukraine. The article deals with the interaction between technology and art in contemporary culture, emphasizes the interconnection of technical and technological and artistic components in artistic culture, and points to several artistic trends inspired by scientific and technological progress. The qualification requirements for a modern sound director are considered. The issue of rethinking the creative activity of sound directors in the media has been further developed. Conclusions. The review of the source base proved that the work of a sound director on television has many difficulties related to the technical support of studios, the conditions of filming, and the creative process. But also due to the importance of television as a way of communication and a source of information, sound design on TV has prospects for development and improvement.
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