{"title":"过渡带作为方法论","authors":"L. Denning","doi":"10.1080/2373566X.2021.1923404","DOIUrl":null,"url":null,"abstract":"This article is a critical reflection upon Interim—a project I undertook at Srishti Institute of Art, Design and Technology in Bangalore. Every year, up to 15 international artists are invited to take undergraduate students through a six week immersive programme, designed by the artists, to a specific theme. I led a particular Interim project through November and December 2018. I consider the projects’ focus, methodologies and impacts. I place the concept of an “ecotone” within the context of a transdisciplinary arts practice, with the aim of opening up the term, and the arts practice, to new understandings that can challenge conventional ways of thinking about people, place and sensation.","PeriodicalId":53217,"journal":{"name":"Geohumanities","volume":"21 4 1","pages":"164 - 175"},"PeriodicalIF":1.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ecotone as Methodology\",\"authors\":\"L. Denning\",\"doi\":\"10.1080/2373566X.2021.1923404\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is a critical reflection upon Interim—a project I undertook at Srishti Institute of Art, Design and Technology in Bangalore. Every year, up to 15 international artists are invited to take undergraduate students through a six week immersive programme, designed by the artists, to a specific theme. I led a particular Interim project through November and December 2018. I consider the projects’ focus, methodologies and impacts. I place the concept of an “ecotone” within the context of a transdisciplinary arts practice, with the aim of opening up the term, and the arts practice, to new understandings that can challenge conventional ways of thinking about people, place and sensation.\",\"PeriodicalId\":53217,\"journal\":{\"name\":\"Geohumanities\",\"volume\":\"21 4 1\",\"pages\":\"164 - 175\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Geohumanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/2373566X.2021.1923404\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"GEOGRAPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Geohumanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/2373566X.2021.1923404","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"GEOGRAPHY","Score":null,"Total":0}
This article is a critical reflection upon Interim—a project I undertook at Srishti Institute of Art, Design and Technology in Bangalore. Every year, up to 15 international artists are invited to take undergraduate students through a six week immersive programme, designed by the artists, to a specific theme. I led a particular Interim project through November and December 2018. I consider the projects’ focus, methodologies and impacts. I place the concept of an “ecotone” within the context of a transdisciplinary arts practice, with the aim of opening up the term, and the arts practice, to new understandings that can challenge conventional ways of thinking about people, place and sensation.