{"title":"16和17世纪的破碎形象/文艺复兴时期的破碎形象。Christian Belin, agnes Lafont和Nicholas Myers(导演)。巴黎:加尼埃经典,2019年,321页。","authors":"Cezara Bobeica","doi":"10.4000/caliban.8465","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":56257,"journal":{"name":"Caliban French Journal of English Studies","volume":"26 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’image brisée aux XVIe et XVIIe siècles / Breaking the Image in the Renaissance. Christian Belin, Agnès Lafont et Nicholas Myers (dir.). Paris : Classiques Garnier, 2019, 321 p.\",\"authors\":\"Cezara Bobeica\",\"doi\":\"10.4000/caliban.8465\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":56257,\"journal\":{\"name\":\"Caliban French Journal of English Studies\",\"volume\":\"26 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Caliban French Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/caliban.8465\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Caliban French Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/caliban.8465","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
L’image brisée aux XVIe et XVIIe siècles / Breaking the Image in the Renaissance. Christian Belin, Agnès Lafont et Nicholas Myers (dir.). Paris : Classiques Garnier, 2019, 321 p.