新声音技术时代的诗歌:从马拉玛到丁尼生

IF 0.1 4区 文学 0 LITERATURE, BRITISH ISLES
F. O'gorman
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引用次数: 3

摘要

声音所承载的意义对诗歌来说一直很重要,但在一个利用声音发展新通信技术的文化中,维多利亚时代的人重新听到了诗歌向耳朵发出信号的能力。这篇文章考虑了一些诗人在发明之后的作品,主要是莫尔斯电码,电报和电话,以及他们对人类信息的文化相关思考,声音可以跨越空间和时间。本文以丁尼生一生对声音意义的兴趣作为结语。这表明电报提供了一种类似于他的概念,通过空气中的信息,死者的生存意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Poetry in the age of new sound technology: Mallarmé to Tennyson
The meaning that sounds carry has always mattered to poetry but in a culture developing new communication technology using sound, the Victorians heard poetry's capacities to signal to the ear anew. This essay considers a number of poets writing after the invention, principally, of Morse code, the telegraph and the telephone, and their culturally-pertinent ruminations on what human messages sound could bear across across space and time. The essay concludes with Alfred Tennyson's life-long interest in the meanings of sound. It suggests ways in which telegraphy provides an analogue to his conceptions of the survival of the meaning of the dead through messages in the air.
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来源期刊
CAHIERS VICTORIENS & EDOUARDIENS
CAHIERS VICTORIENS & EDOUARDIENS LITERATURE, BRITISH ISLES-
CiteScore
0.10
自引率
0.00%
发文量
17
审稿时长
24 weeks
期刊介绍: Les Cahiers victoriens et édouardiens publient depuis 1974 deux numéros par an, l’un sur des sujets et écrivains variés, l’autre consacré à un auteur ou à un thème. Les Cahiers s’intéressent non seulement à la littérature, mais aussi à tous les aspects de la civilisation de l’époque, et accueillent des méthodes critiques variées. Ils publient aussi des comptes rendus d’ouvrages et des résumés de thèses récemment soutenues sur le sujet. Des articles peuvent être soumis en vue d’une publication éventuelle (règles de présentation du M.L.A. Handbook).
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