{"title":"“敌人-一首党派赞美诗”-关于记忆,音乐和纪录片制作的关键笔记","authors":"Federicio Spinetti","doi":"10.51515/issn.2744-1261.2018.10.217","DOIUrl":null,"url":null,"abstract":"In the following pages I provide a study guide and a critical discussion of my documentary film The Enemy – A Partisan Hymnbook (2015). In the process, my reflexive and interpretive remarks are meant to bear on issues of more general interest for the study of music, memory and conflict, and for the theory and practice of audio-visual media particularly in ethnomusicology.","PeriodicalId":84634,"journal":{"name":"Educafrica (English version)","volume":"10 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"The Enemy - A Partisan Hymnbook\\\" - Critical Notes on Memory, Music, and the Making of a Documentary Film\",\"authors\":\"Federicio Spinetti\",\"doi\":\"10.51515/issn.2744-1261.2018.10.217\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the following pages I provide a study guide and a critical discussion of my documentary film The Enemy – A Partisan Hymnbook (2015). In the process, my reflexive and interpretive remarks are meant to bear on issues of more general interest for the study of music, memory and conflict, and for the theory and practice of audio-visual media particularly in ethnomusicology.\",\"PeriodicalId\":84634,\"journal\":{\"name\":\"Educafrica (English version)\",\"volume\":\"10 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Educafrica (English version)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.51515/issn.2744-1261.2018.10.217\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Educafrica (English version)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51515/issn.2744-1261.2018.10.217","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
"The Enemy - A Partisan Hymnbook" - Critical Notes on Memory, Music, and the Making of a Documentary Film
In the following pages I provide a study guide and a critical discussion of my documentary film The Enemy – A Partisan Hymnbook (2015). In the process, my reflexive and interpretive remarks are meant to bear on issues of more general interest for the study of music, memory and conflict, and for the theory and practice of audio-visual media particularly in ethnomusicology.