田汉的情感情结与《飓风》中的情感话语——田汉的一生

IF 0.3 3区 艺术学 0 ASIAN STUDIES
Yuan Li, T. Beaumont
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引用次数: 0

摘要

摘要:与传统的主旋律传记剧不同,田沁心的《飓风》是一部后现代的心理传记剧,通过对独白、对白、合唱、剧中戏等多种形式的糅合,关注田汉的内心生活和爱情关系。它以田汉的“萨洛姆萨伊”情结作为控制性叙事,呈现了他在“萨洛姆萨伊”女性影响下的两次重大人生转折。在田沁欣的演绎中,田汉的“爱情情结”不仅包含了浪漫的爱情,还包含了爱国的激情。《飓风》通过不同的情感话语,将田汉的浪漫爱情和爱国爱情语境化并关联起来,以一种不同寻常的艺术形式传达了主要的旋律信息,同时也为当代中国对田汉的册封做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tian Han's Salomé Complex and The Discourses of Sentiment in Hurricane: The Life of Tian Han
Abstract:Unlike the usual form of main melody biographical plays, Tian Qinxin's Hurricane is a postmodern psychobiography, which focuses on Tian Han's inner life and romantic relationships through a pastiche of monologues, dialogues, choruses, and fragmented plays-within-a-play. Employing Tian Han's Salomé complex as a controlling narrative, it presents two significant turns in his life under the influence of "Saloméan" women. In Tian Qinxin's rendering, Tian Han's Salomé complex comes to encompass not only romantic love but also patriotic passion. By both contextualizing and correlating Tian Han's romantic love and patriotic love through different discourses of sentiment, Hurricane conveys the main melody message via an unusually artistic form, while contributing to the canonization of Tian Han in contemporary China.
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CiteScore
0.40
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