{"title":"在他死后(克拉拉·米利奇)的小说中，戏剧语义学","authors":"Галина Шелогурова","doi":"10.18778/1427-9681.06.04","DOIUrl":null,"url":null,"abstract":"The article presents an attempt of interpretation of the last story by Turgenev from the point of view of theatre as a specific cultural and social phenomenon. This approach enables us 1) to distinguish between concepts of drama and tragedy as they are used in the text and metatext of the story; 2) to get out of the text’s boundaries and to involve biographical and historical contexts to the analysis.","PeriodicalId":33179,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Rossica","volume":"74 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Семантика театра в повести И. С. Тургенева После смерти (Клара Милич)\",\"authors\":\"Галина Шелогурова\",\"doi\":\"10.18778/1427-9681.06.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article presents an attempt of interpretation of the last story by Turgenev from the point of view of theatre as a specific cultural and social phenomenon. This approach enables us 1) to distinguish between concepts of drama and tragedy as they are used in the text and metatext of the story; 2) to get out of the text’s boundaries and to involve biographical and historical contexts to the analysis.\",\"PeriodicalId\":33179,\"journal\":{\"name\":\"Acta Universitatis Lodziensis Folia Litteraria Rossica\",\"volume\":\"74 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2013-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Universitatis Lodziensis Folia Litteraria Rossica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18778/1427-9681.06.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Lodziensis Folia Litteraria Rossica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18778/1427-9681.06.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Семантика театра в повести И. С. Тургенева После смерти (Клара Милич)
The article presents an attempt of interpretation of the last story by Turgenev from the point of view of theatre as a specific cultural and social phenomenon. This approach enables us 1) to distinguish between concepts of drama and tragedy as they are used in the text and metatext of the story; 2) to get out of the text’s boundaries and to involve biographical and historical contexts to the analysis.
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