虚拟迷宫:南希·k·米勒和苏珊·古巴对癌症的叙述

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
R. Baena
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引用次数: 0

摘要

在回忆录时代,公共话语和私人生活之间的界限已经被侵蚀,许多生活写作体裁作为身份叙事占据突出地位。具体来说,疾病叙述以数字和非数字形式激增,从而成为当今理解疾病的强大社会和文化形式。本文旨在分析在线形式是如何给癌症体验的类型和实际传播带来相关变化的。Nancy K. Miller和Susan Gubar选择了不同的形式(分别是视觉日记和博客)来帮助读者“认识癌症在世界上的地位”。在癌症世界生活了一段时间后,两人都拒绝接受关于疾病的普遍刻板印象,比如癌症幸存者、好病人的角色,或者拒绝愤怒、恐惧或悲伤等负面情绪的需要。具体来说,我将使用自动性的概念来探索他们在使用图像和新媒体时是如何构建主体性的。这个概念可以帮助我们进一步探索网络形式如何提供新的自我表现方式,以及技术与主体性之间的中介。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Virtual labyrinths: Nancy K. Miller’s and Susan Gubar’s narratives of cancer
Abstract In the midst of the age of memoir, where the demarcation between public discourse and private lives has been eroded, a number of life-writing genres figure prominently as identity narratives. Specifically, illness narratives proliferate in both digital and non-digital forms, thus becoming powerful social and cultural forms to understand illness today. This article aims to analyze how online forms are bringing relevant changes both to the genre and to the actual communication of cancer experience. Nancy K. Miller and Susan Gubar choose different forms (visual diary and blog, respectively) to help readers “acknowledge the place of cancer in the world”. Having lived in cancerland for a while, both reject widespread stereotypes about illness, such as being a cancer survivor, the role of the good patient or the need to reject negative emotions such as anger, fear or sadness. Specifically, I will use the concept of automediality in order to explore how subjectivity is constructed in their use of images and new media. This concept may help us further explore the ways in which online forms offer new ways of self-representation and mediation between technology and subjectivities.
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