{"title":"(再)转向奎恩:引言","authors":"Nonia Williams","doi":"10.1080/09574042.2022.2019437","DOIUrl":null,"url":null,"abstract":"Abstract Ann Quin’s innovative, versatile oeuvre made a substantial contribution to 1960s and 1970s British avant-garde and experimental writing, but literary scholarship has, until recently, been slow to appreciate the brilliance and importance of her work. This special issue of Women: a cultural review is the first collection of its kind focused solely on Quin. To frame the collection, I offer a short introduction to Quin’s work and life, and discuss how her working-class identity has been considered a significant factor in relation to the distinctive forms, language, aesthetics and experimentation of her writing. I introduce the volume’s contributions, which include an interview, a creative-critical piece, and four critical essays on Quin, to show the correspondences, overlaps and contrasts between them. In particular, I focus on their consideration of archive materials, and the aesthetic and sensory qualities of Quin’s writing. I argue that, precisely by being read together, the contributions deepen and extend our thinking about Quin, give a sense of current critical approaches to her work, and provide a key opportunity to reflect on the significance of our impulse to return to her work today.","PeriodicalId":54053,"journal":{"name":"Women-A Cultural Review","volume":"3 1","pages":"2 - 17"},"PeriodicalIF":2.0000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"(Re)turning to Quin: An Introduction\",\"authors\":\"Nonia Williams\",\"doi\":\"10.1080/09574042.2022.2019437\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Ann Quin’s innovative, versatile oeuvre made a substantial contribution to 1960s and 1970s British avant-garde and experimental writing, but literary scholarship has, until recently, been slow to appreciate the brilliance and importance of her work. This special issue of Women: a cultural review is the first collection of its kind focused solely on Quin. To frame the collection, I offer a short introduction to Quin’s work and life, and discuss how her working-class identity has been considered a significant factor in relation to the distinctive forms, language, aesthetics and experimentation of her writing. I introduce the volume’s contributions, which include an interview, a creative-critical piece, and four critical essays on Quin, to show the correspondences, overlaps and contrasts between them. In particular, I focus on their consideration of archive materials, and the aesthetic and sensory qualities of Quin’s writing. I argue that, precisely by being read together, the contributions deepen and extend our thinking about Quin, give a sense of current critical approaches to her work, and provide a key opportunity to reflect on the significance of our impulse to return to her work today.\",\"PeriodicalId\":54053,\"journal\":{\"name\":\"Women-A Cultural Review\",\"volume\":\"3 1\",\"pages\":\"2 - 17\"},\"PeriodicalIF\":2.0000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women-A Cultural Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09574042.2022.2019437\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women-A Cultural Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09574042.2022.2019437","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract Ann Quin’s innovative, versatile oeuvre made a substantial contribution to 1960s and 1970s British avant-garde and experimental writing, but literary scholarship has, until recently, been slow to appreciate the brilliance and importance of her work. This special issue of Women: a cultural review is the first collection of its kind focused solely on Quin. To frame the collection, I offer a short introduction to Quin’s work and life, and discuss how her working-class identity has been considered a significant factor in relation to the distinctive forms, language, aesthetics and experimentation of her writing. I introduce the volume’s contributions, which include an interview, a creative-critical piece, and four critical essays on Quin, to show the correspondences, overlaps and contrasts between them. In particular, I focus on their consideration of archive materials, and the aesthetic and sensory qualities of Quin’s writing. I argue that, precisely by being read together, the contributions deepen and extend our thinking about Quin, give a sense of current critical approaches to her work, and provide a key opportunity to reflect on the significance of our impulse to return to her work today.