景观建筑

Q3 Social Sciences
Rene van der Velde, M. Pouderoijen, J. van Bergen, I. Bobbink, Frits Van Loon, D. Piccinini, D. Jauslin
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引用次数: 0

摘要

BwN的多维性要求在这种新的跨学科方法中结合其他领域的“设计师式的认识和行为方式”。从关注理性设计范式向反思设计范式(如空间设计学科中使用的设计范式)的过渡可能是这个过程的第一步。通过扩展,BwN的知识基础和设计方法可以通过借鉴空间设计学科(如景观建筑)的认识和实践方式来进行批判性扩展,景观建筑将“景观”一词作为“自然”一词的对立物加以阐述。该学科中的操作视角和相关方法,如感知、记忆、多标量思维和过程设计,与BwN方法中的特定主题产生共鸣,如自然过程的设计、区域内功能或层的整合以及工程工程与人类社会环境的联系。2011年至2018年期间,在Terschelling岛的Oerol节上实现的一系列装置作为案例研究,阐述了对BwN的潜在转移和主题阐述。在这些项目中,由学生、研究人员和讲师组成的跨学科团队在沿海景观环境中开发了临时景观装置。从这些项目中出现的主题包括“将沿海景观映射为复杂的自然”、“将地图作为设计生成设备”、“人群地图”、“人与地的关系”、“共同创造”、“叙述沿海景观”、“公众互动”和“审美体验”。这些主题的具体方面与BwN的知识基础和方法相关,包括通过描述性和投影映射整合场地及其背景,理解领土的各种空间和时间尺度作为复杂的性质,以及通过反思性对话在设计过程中整合沿海基础设施的集体叙事和美学体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Building with landscape
The multi-dimensionality of BwN calls for the incorporation of ‘designerly ways of knowing and doing’ from other fields involved in this new trans-disciplinary approach. The transition out of a focus on rational design paradigms towards reflective design paradigms such as those employed in the spatial design disciplines may be a first step in this process. By extension, the knowledge base and design methodologies of BwN may be critically expanded by drawing on ways of knowing and doing in spatial design disciplines such as landscape architecture, which elaborates the agency of the term ‘landscape’ as counterpart to the term ‘nature’. Operative perspectives and related methodologies in this discipline such as perception, anamnesis, multi-scalar thinking, and process design resonate with specific themes in the BwN approach such as design of/with natural processes, integration of functions or layers in the territory and the connection of engineering works to human-social contexts. A series of installations realised for the Oerol festival on the island of Terschelling between 2011 and 2018 serve as case studies to elaborate potential transfers and thematic elaborations towards BwN. In these projects inter-disciplinary teams of students, researchers and lecturers developed temporary landscape installations in a coastal landscape setting. Themes emerging from these project include ‘mapping coastal landscapes as complex natures’, ‘mapping as design-generative device’, ‘crowd-mapping’, ‘people-place relationships’, ‘co-creation’, ‘narrating coastal landscapes’, ‘public interaction’ and ‘aesthetic experience’. Specific aspects of these themes relevant to the knowledge base and methodologies of BwN, include integration of sites and their contexts through descriptive and projective mappings, understanding the various spatial and temporal scales of a territory as complex natures, and the integration of collective narratives and aesthetic experiences of coastal infrastructures in the design process, via reflective dialogues.
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来源期刊
Research in Urbanism Series
Research in Urbanism Series Social Sciences-Urban Studies
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