这就是非洲:在2019冠状病毒病期间,非洲年轻的抖音趋势如何挑战非洲悲观主义

IF 1 4区 文学 Q3 COMMUNICATION
Fungai Machirori
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引用次数: 1

摘要

非洲悲观主义,或西方媒体以刻板的负面方式报道非洲的传统,一直在剥夺非洲大陆代表性的细微差别和代理。虽然非洲在疫情期间经历了自己的COVID-19挑战,但非洲人对全面崩溃和大屠杀的悲观看法并没有成为现实。事实上,随着疫情的蔓延,TikTok的流行,非洲人开启了社交媒体潮流,让全球许多人在应对新的封锁现实时保持娱乐。这项研究着眼于TikTok的三个趋势,即# jerusalemchallenge, #DontRushChallenge和# dontleavemecchallenge。通过文本分析,本研究探讨了这些趋势是否以及如何为非洲悲观主义提供了反叙事。随着幽默和舞蹈等主导主题的出现,研究结果表明,这些趋势提供的内容可以被解读为通过培养非洲数字机构和代表性来挑战非洲悲观主义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
This is Africa: How young African TikTok trends challenged Afropessimism during COVID-19
Afropessimism, or the western media tradition of covering Africa in stereotypically negative ways, has continually served to strip the continent of representational nuance and agency. While Africa experienced its own COVID-19 challenges during the pandemic, the Afropessimistic outlook of total collapse and carnage did not become a reality. In fact, with the popular uptake of TikTok as the pandemic wore on, Africans began social media trends that kept many globally entertained as they navigated new lockdown realities. This study looks at three of these TikTok trends, namely #JerusalemaChallenge, #DontRushChallenge and #DontLeaveMeChallenge. Through textual analysis, the study explores if and how these trends provided counternarratives to Afropessimism. With dominant themes such as humour and dance emerging, findings suggest that these trends offered content that can be read as contributing to challenging Afropessimism through cultivating African digital agency and representation.
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来源期刊
CiteScore
1.80
自引率
25.00%
发文量
21
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