作为有形遗产的声学:在无垠的视觉中重新体现感官遗产

Q1 Arts and Humanities
Hasan Baran Fırat
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引用次数: 5

摘要

本概念性研究将文化和历史声音作为物质遗产进行讨论,除了空间的声学指纹外,还将重点放在声景观和单个声源的保护实践上。虽然非物质文化遗产的概念为感官对象打开了一个新的空间,但感官遗产的正式途径仍然缺失和模糊。本研究从遗产、感觉符号学和声学的角度阐述了为什么我们应该将具有文化意义的感官对象归类为有形遗产资产。讨论了声学遗产的数字化保存和重建方法,以及声学遗产的可测量性和可计算性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Acoustics as Tangible Heritage: Re-embodying the Sensory Heritage in the Boundless Reign of Sight
Abstract This conceptual study discusses cultural and historic sounds as tangible heritage by focusing on preservation practices for both soundscape and individual sound sources besides the acoustical fingerprints of the spaces. Although the intangible cultural heritage concept has opened a new room into the sensory objects, the formal approaches to sensory heritage are still missing and ambiguous. This study dwells on why we should classify culturally significant sensory objects as tangible heritage assets in terms of heritage, sensory semiotics, and acoustics. The digitalization methods to preserve and reconstruct acoustic heritage along with their measurable and computable nature were discussed as well.
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来源期刊
Preservation, Digital Technology and Culture
Preservation, Digital Technology and Culture Arts and Humanities-Conservation
CiteScore
1.20
自引率
0.00%
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