案例研究:关于黛安·维克多的烟雾画及其保护意义的艺术家访谈

Laura Esser, Isabelle McGinn, Soyeon Choi
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引用次数: 0

摘要

南非艺术家黛安·维克多以煤烟为媒介,用蜡烛在纸上创作出华丽的艺术品,最近又在石头和玻璃上创作。廉价蜡烛火焰产生的混乱和黑暗的煤烟象征着垂死的生命的脆弱,并反映了媒介的脆弱性。随着这些精美艺术品在收藏中的出现越来越多,了解它们的保护问题和需求是有必要的。笔者采访了这位艺术家,了解她的创作过程,以及她的煤烟作品固有的脆弱性所带来的困境。记录了Victor在搬运、储存、装帧、运输等各个方面的材料选择和方法。讨论了维克多选择的后果,并从保护的角度提到了更安全的选择。最后,访谈揭示了艺术家对保存的理解和思考,特别是对纸张和图像的补救处理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Case Study: An Artist Interview About Diane Victor’s Smoke Drawings and Implications for Conservation
ABSTRACT The South African artist Diane Victor explores soot as a medium, using candles to create magnificent artworks on paper, and more recently on stone and glass. The messy and dark soot created by cheap candle flame symbolizes the fragility dying lives and is mirrored in the vulnerability of the medium. As the presence of these delicate artworks is increased in collections, understanding their preservation concerns and needs is warranted. The author interviewed the artist to understand her creation process and the dilemma that lies in the inherent fragility of her soot artworks. Victor’s material choices and methods on all aspects of handling, storage, framing, and transportation were recorded. The ramifications of Victor’s choices are discussed and safer options from a preservation point of view are mentioned. Lastly, the interview reveals the artist’s understanding and thoughts on conservation and in particular remedial treatment of both paper and image.
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