舞蹈

IF 0.7 1区 艺术学 0 MUSIC
M. Bell
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引用次数: 0

摘要

柴可夫斯基的芭蕾舞剧《睡美人》和《胡桃夹子》的大部分音乐表现出哈拉尔德·克雷布斯所说的韵律不协调:不一致的脉冲和节奏模式的并置或叠加。本文展示了作曲家的合作者恩里科·切凯蒂、安东尼埃塔·戴尔埃拉、列夫·伊万诺夫和马里乌斯·佩蒂帕的舞蹈是如何回应和参与这些韵律不协和音的。文章的第一部分定义了格律失调,它的转化过程,以及相关的但不同的现象的格律类型。第二部分介绍了四种编舞分析,这些分析利用了档案舞蹈符号和当今表演的视频。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Danses Fantastiques
Much of Tchaikovsky's music for the ballets Sleeping Beauty and Nutcracker exhibits what Harald Krebs calls metrical dissonance: the juxtaposition or superimposition of noncoincident pulses and rhythmic patterns. This article shows how the dances of the composer's collaborators, Enrico Cecchetti, Antonietta Dell'Era, Lev Ivanov, and Marius Petipa, respond to and participate in these metrical dissonances. The first part of the article defines metrical dissonance, the processes that transform it, and the related but distinct phenomenon of metric type. The second part presents four choreomusical analyses that draw on archival dance notation and videos of present-day performances.
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
12
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