包豪斯杂志上的马德里人。gece的海报

IF 0.1 2区艺术学 0 ART

ARCHIVO ESPANOL DE ARTE Pub Date : 2021-02-15 DOI:10.3989/AEARTE.2021.05

Josenia Hervás y Heras

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引用次数: 0

摘要

20年代末，埃内斯托·希门尼斯·卡巴列罗通过他的杂志《文学大师》、他的电影俱乐部、他的商店《画廊》和他自己的创作，成为所有前卫运动的粘合剂。他对知识和声望的渴望促使他在现代运动的艺术和建筑方面旅行并接触欧洲主要人士和机构，他甚至在包豪斯学校出版的杂志上写作。他在20世纪30年代对法西斯意识形态的坚持使他否认甚至隐瞒了过去的经历。

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Un madrileño en la revista Bauhaus. Los carteles de Gecé

In the late twenties, Ernesto Gimenez Caballero became a binder of all avant-garde movements through his magazine La Gaceta Literaria, his Cinema-club, his shop La Galeria and his own creations. His eagerness for knowledge and prominence prompted him to travel and contact leading European people and institutions in terms of art and architecture of the Modern Movement, and he even wrote in the magazine published by the Bauhaus school. His adherence to fascist ideology in the 1930s led him to disown and even hide past experiences.

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来源期刊

ARCHIVO ESPANOL DE ARTE ART-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

48 weeks

期刊介绍： Archivo Español de Arte, a specialized quarterly journal publishing only original articles, was founded in 1925 by the “Council for the Furtherance of Scientific Studies and Research” (Junta para la Ampliación de Estudios e Investigaciones Científicas). Archivo Español de Arte is dedicated to research in all areas of the history of Spanish Art and foreign art in relation to Spain, from the Middle Ages to the present. This publication is oriented preferably to the research and university community, both national and international, as well as to all professionals in the art field.