旧曲调,新音调:(重新)定义希腊启蒙运动的“幻影诗”

IF 0.2 4区 历史学 Q2 HISTORY
Julia Chatzipanagioti-Sangmeister
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引用次数: 0

摘要

18世纪和19世纪头几十年的幻影诗(Phanariot verses)——诗歌和歌曲——可能是启蒙时代现代希腊文学中最大的一部分。这篇文章对普遍持有的观点提出了质疑,即法拿略的诗句构成了一个同质化的文本体。基于文本外和文本内的标准,并比较来自不同时期的文本,它提出了两个群体之间的区别,一个早期的群体与法纳略特环境有关,一个更近的群体为羽翼未丰的希腊资产阶级提供了表达的出口。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Old Tunes, New Tones: (Re-)Defining the “Phanariot Verses” of the Greek Enlightenment
Phanariot verses – poems and songs – of the eighteenth century and the first decades of the nineteenth comprise perhaps the largest segment of Modern Greek literature of the Age of the Enlightenment. This article calls into question the widely held view that Phanariot verses make up a homogenized body of texts. Based on extratextual and intratextual criteria and comparing texts from different periods of time, it proposes a distinction between two groups, an earlier one that relates to the Phanariot milieu and a more recent one that provided an outlet for expression for the fledgling Greek bourgeoisie.
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