文学斗争

Q3 Arts and Humanities
Matatu Pub Date : 2020-02-13 DOI:10.1163/18757421-05002003
M. Chapman
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引用次数: 1

摘要

南非的文学斗争——还是文学阐释的斗争?-表明,并继续表明,主题和风格的冲动,属于一个共同的社会,但矛盾的是,一个社会往往是分离多于连接。那么,如何归属呢?我追溯了从20世纪70年代的非黑即白的声音到种族隔离之后,特别是在过去十年左右的时间里,一个更加多元化的社会概念的发展轨迹。文学斗争的特殊之处在于,英雄模式在意义建构或想象投射中所起的作用相对边缘;相反,这种批判性的洞察力确保了政治语言——往往因其非此即彼的独特性而过于粗糙——很少得到文学语言的纯粹赞同。对国家建设的考虑很难与生活在一个运转良好的社会中的关切相提并论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Literature Struggles
Literature struggles in South Africa—or, struggles of interpretation?—evince, and continue to evince, a thematic and stylistic impulse to belong to a common society, but, paradoxically, a society that is often more disjunctive than conjunctive. How, then, to belong? I trace the trajectory from the black-and-white voices of the 1970s to a more heterogeneous conception of the society, after apartheid, and particularly over the last decade, or so. What is peculiar about literature struggles is that the heroic mode has played a relatively marginal role in sense-making or imaginative projection; rather, the critical insight ensures that political language—too often crude in its singularities of either/or—has seldom enjoyed the unalloyed assent of literary language. Considerations of nation-building hardly feature alongside the concerns of living in a functioning society.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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