中欧和东欧在荷兰文学非小说中的形象

J. Sterckx
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引用次数: 0

摘要

在过去的20年里,非虚构文学在荷兰的读者中越来越受欢迎。由于销量、翻译和文学奖项的增加,这一类型在荷兰文学中取得了强大的地位。本文分析了近十年来(2004- 2014)荷兰文学非虚构作品中中东欧国家的形象。它在Geert Mak, Jelle Brandt Corstius, Olaf Koens, Joop Verstraten和Jan Brokken的作品中寻找东方主义和巴尔干主义话语的特征以及意象中心-边缘模型的存在。当代荷兰非虚构文学包含了一种欧洲东方主义的话语。不发达、享乐主义、隐晦、本真等特征被投射到中欧和东欧,置于西欧的边缘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Het beeld van Midden- en Oost-Europa in Nederlandse literaire non-fictie
Abstract Over the last 20 years, literary nonfiction has become increasingly popular among the Dutch reading public. Thanks to increasing sales, translations and literary awards the genre achieved a strong position in Dutch literature. This article analyzes the image of Central and Eastern European countries in Dutch literary nonfiction of the last ten years (2004-14). It searches for characteristics of an orientalist and balkanist discourse and the presence of the imagological centre-periphery model in the works of Geert Mak, Jelle Brandt Corstius, Olaf Koens, Joop Verstraten and Jan Brokken. Contemporary Dutch literary nonfiction contains a euro-orientalist discourse. Characteristics such as underdevelopment, hedonism, obscurity and authenticity are projected on Central and Eastern Europe, which is put in the periphery of Western Europe.
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