表演艺术中残疾表演者的社会包容:来自 rkiye的案例

A. Collins, I. Fillis, Z. Sanal
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引用次数: 0

摘要

本文的目的是发展对发展中国家残疾表演者的社会包容的理解,以提高认识和改进政策/实践。设计/方法/方法本研究采用定性方法,通过半结构化访谈、实地考察/观察和二手数据回顾收集数据。来自不同被调查者群体的数据表明,社会包容应该从三个层面来审视:国家、社会和个人。对现有政策的审查表明,由于缺乏对国家和国际协议的执行,国家对一般残疾人的忽视,在表演艺术方面更是如此。调查结果表明,残疾表演者的社会包容是一个小问题,特别是在难以获得基本人权和需求的发展中国家。在这些困难中,与残疾人和表演者的其他需求相比,表演艺术并没有被视为优先事项。研究局限性/启示局限性包括可以识别并愿意参与研究的残疾表演者数量有限。在场地/公共办公室工作的人士亦不愿参与。最大的限制是对残疾演员普遍缺乏兴趣。独创性/价值在中国,对残疾人的研究往往侧重于健康、教育和就业等基本需求。据研究人员所知,没有人探讨残疾表演者的社会包容性。这是一项原创研究,因为它收集并讨论了关于这一主题的原始数据,揭示了国家层面的疏忽/疏忽,社会的冷漠以及残疾人必须努力参与表演艺术的程度。因此,本研究表明,在新兴经济体中发展社会包容、平等和多样性,以提高残疾表演者的认识,并为进一步的执法提供依据,是很困难的。此外,其影响允许对社会包容的全球理解,而不是以发达国家为中心的对残疾的偏见或特权的理解/批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Social inclusion of disabled performers in the performing arts: a case from Türkiye
PurposeThe purpose of this paper is to develop an understanding for the social inclusion of disabled performers in a developing country to create awareness and improve policies/practices.Design/methodology/approachThe study employed qualitative methodology, and data were collected through semi-structured interviews, site visits/observations and review of secondary data.FindingsThe data from different respondent groups showed the social inclusion should be reviewed at three levels: the state, society and individual. The review of existing policies revealed the neglect of the state regarding disabled people in general and even more so in performing arts due to the lack of enforcement of national and international agreements. Findings indicate that social inclusion of disabled performers is a minor issue, especially in a developing country where access to basic human rights and needs may be difficult. Amidst such difficulties, performing arts is not seen as a priority compared to other needs of disabled people and performers.Research limitations/implicationsLimitations include the limited number of disabled performers who could be identified and were willing to participate in the study. Those working in venues/public offices were also reluctant to participate. The greatest limitation was the broad lack of interest in disabled performers.Originality/valueIn Türkiye, studies on disabled people tend to focus on basic needs like health, education and employment. None, to best of researchers' knowledge, explore the social inclusion of disabled performers. This is an original study because it collects and discusses primary data on this topic, revealing the state-level negligence/oversight, the apathy of society and the degree to which an individual with disabilities must struggle to participate in performing arts. Consequently, this study shows the difficulty of developing social inclusion, equality and diversity in an emerging economy for disabled performers to raise awareness and present grounds for further legal enforcement. Moreover, implications allow for a global understanding of social inclusion that moves beyond a biased or privileged understanding/critique of disability centered on the developed world.
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