乐队的《重量》——半认知叙事冒险

Q1 Arts and Humanities
Ulf Cronquist, T. Knap
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引用次数: 0

摘要

在提供了这首歌历史起源的细节信息和对文本的阐释之后,我们继续分析歌词作为一种现代主义、超现实主义的叙事方式,这种叙事方式并不总是容易弄清楚,但最好的理解是,参照Per Aage Brandt关于叙事、叙事力量和空间的研究,它是一种具有戏剧性复杂性和可能的宣泄的经典结构。勃兰特对认知叙事学的贡献提供了一个力动力学、灾难理论和结构主义精神分析的扩展框架——也考虑到意旨和想象是主体间体验故事世界的组成部分。我们的实证研究对象脱离了1968年在专辑《Music from Big Pink》中制作的原始规范录音歌词,乐队和其他艺术家的许多连续现场表演都相当忠实于原始文本。据我们所知,对《重量》歌词的彻底的学术分析还没有出现,直到我们现在对这件艺术品的细节进行了详细的、语言学上的放大。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Band’s The Weight – a semio-cognitive narratological adventure
Abstract After providing information about details of the song’s historical genesis and an exegetic Explication De Texte we proceed to analyze the lyrics as a modernist, surrealist narrative that is not always easy to make clear sense of, yet best can be understood as a classical structure of dramatic complications and possible catharsis with reference to Per Aage Brandt’s work on diegesis and narrative forces and spaces. Brandt’s contributions to cognitive narratology provide an extended framework of force dynamics, catastrophe theory and structuralist psychoanalysis – also with considerations of intentionality and imagination as integral parts of intersubjectively experienced story-worlds. Our empirical object of study departs from the original canonical recording song lyrics produced in 1968 on the album Music from Big Pink, where the many consecutive live performances by The Band and other artists remain quite faithful to the original text. To the best of our knowledge, a thorough scholarly analysis of the lyrics of The Weight has not yet been available until we now present our detailed, philological amplification on the details of this piece of art.
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来源期刊
Cognitive Semiotics
Cognitive Semiotics Arts and Humanities-Language and Linguistics
CiteScore
2.30
自引率
0.00%
发文量
14
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