Danielle C. Slakoff, Evan C. Douglas, Jason A. Smith
{"title":"白人至上主义、修正主义历史和蒙面义警:从主流报纸的文化评论家/作家的角度理解HBO的《守望者》","authors":"Danielle C. Slakoff, Evan C. Douglas, Jason A. Smith","doi":"10.1080/10646175.2022.2065896","DOIUrl":null,"url":null,"abstract":"Abstract In 2019, the HBO limited television series Watchmen aired to critical acclaim. A contemporary extension of the world established by the 1986-87 Watchmen comic, viewers and commentators alike have viewed the show as a critical commentary on racial politics in the United States. Using Nexis Uni’s News Database, we conducted an inductive qualitative content analysis of 31 news articles written by mainstream television critics and/or writers about the show. Across reviews, three primary themes emerged—White supremacy, revisionist history (specifically pertaining to the Tulsa Race Massacre of 1921), and the power of masks. The role of critics/writers in engaging audiences with themes about race is discussed.","PeriodicalId":45915,"journal":{"name":"Howard Journal of Communications","volume":"30 1","pages":"42 - 58"},"PeriodicalIF":1.0000,"publicationDate":"2022-04-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"White Supremacy, Revisionist History, and Masked Vigilantes: Understanding HBO’s Watchmen through the Eyes of Cultural Critics/Writers in Major Mainstream Newspapers\",\"authors\":\"Danielle C. Slakoff, Evan C. Douglas, Jason A. Smith\",\"doi\":\"10.1080/10646175.2022.2065896\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In 2019, the HBO limited television series Watchmen aired to critical acclaim. A contemporary extension of the world established by the 1986-87 Watchmen comic, viewers and commentators alike have viewed the show as a critical commentary on racial politics in the United States. Using Nexis Uni’s News Database, we conducted an inductive qualitative content analysis of 31 news articles written by mainstream television critics and/or writers about the show. Across reviews, three primary themes emerged—White supremacy, revisionist history (specifically pertaining to the Tulsa Race Massacre of 1921), and the power of masks. The role of critics/writers in engaging audiences with themes about race is discussed.\",\"PeriodicalId\":45915,\"journal\":{\"name\":\"Howard Journal of Communications\",\"volume\":\"30 1\",\"pages\":\"42 - 58\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2022-04-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Howard Journal of Communications\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10646175.2022.2065896\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Howard Journal of Communications","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10646175.2022.2065896","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
White Supremacy, Revisionist History, and Masked Vigilantes: Understanding HBO’s Watchmen through the Eyes of Cultural Critics/Writers in Major Mainstream Newspapers
Abstract In 2019, the HBO limited television series Watchmen aired to critical acclaim. A contemporary extension of the world established by the 1986-87 Watchmen comic, viewers and commentators alike have viewed the show as a critical commentary on racial politics in the United States. Using Nexis Uni’s News Database, we conducted an inductive qualitative content analysis of 31 news articles written by mainstream television critics and/or writers about the show. Across reviews, three primary themes emerged—White supremacy, revisionist history (specifically pertaining to the Tulsa Race Massacre of 1921), and the power of masks. The role of critics/writers in engaging audiences with themes about race is discussed.
期刊介绍:
Culture, ethnicity, and gender influence multicultural organizations, mass media portrayals, interpersonal interaction, development campaigns, and rhetoric. Dealing with these issues, The Howard Journal of Communications, is a quarterly that examines ethnicity, gender, and culture as domestic and international communication concerns. No other scholarly journal focuses exclusively on cultural issues in communication research. Moreover, few communication journals employ such a wide variety of methodologies. Since issues of multiculturalism, multiethnicity and gender often call forth messages from persons who otherwise would be silenced, traditional methods of inquiry are supplemented by post-positivist inquiry to give voice to those who otherwise might not be heard.