文学与危机:书写尊严

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-12-01 DOI:10.7764/68.19

R. Olea

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引用次数: 1

摘要

本文探讨了智利社会爆发所产生的危机的写作问题和叙事模式。它旨在思考几种美学产品的可能语言:文本，身体，个人和集体符号，这些符号能够提出意义。这篇文章涉及在社会爆发期间或之后所写的语言;以传统的体裁或非传统的写作建议;在纸上或用其他媒介;要么是公认的作者，要么是默默无闻的街头巷尾和大众的声音。这些语言表明，那些未知的、尚未说出来的、还没有历史的东西，在各种作品的想象力量中被命名。这种多样性丰富了文学与历史的关系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Literatura y crisis: escribir la dignidad

This essay asks the question of writing and the modes of narrating the crisis produced by the social outbreak in Chile. It aims at thinking possible languages for several aesthetic productions: texts, bodies, individual and collective signs that have enabled to propose meanings. The essay engages with languages written during or after the social outbreak; in a traditional genre or in an unconventional writing proposal; either on paper or using other mediums; with recognized authorship or in the anonymity of the streets and the popular voice. These languages show that the unknown, the still unsaid, the still without history are named in the imaginary power of diverse writings. Such diversity produces an enrichment of the literary in the way it relates to history.

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.